July 10, 2025

Reclaim Your Feminine Power | 062

Reclaim Your Feminine Power | 062

Keri Khalighi, somatic guide, shares her journey from shape-shifting, performing, and stifling her voice to reclaiming her feminine power through embodied listening.   

She remembers her shy 13-year-old self from small-town Nebraska who was catapulted into the world of high fashion. Modeling in New York and Europe, she underwent a trial by fire, learning to shut down her sensitivity to survive.  

Naive, and craving safety and stability, Keri became a serial monogamist, and failed to find the emotional intimacy she needed.   

Being a mother, a doula, and caregiver for her dying father cracked open a new level of awareness, connection, and wisdom. But, it took a divorce to usher in a renaissance of being.   

Through tantra and other ancient traditions, feminine embodiment practices, and guidance from mentors, Keri moved into a deeper understanding of herself. That planted the seeds for a soul connection with her husband, Amir. She takes us inside their partnership, and how it serves as the foundation for their work as somatic and embodiment guides. 

Celebrating the wisdom of age, we honor the stories we carry in our bodies as women, the beauty of exploring our sexuality, and how breath, movement, and poetry open our hearts and possibilities.  

We dive into the power of women’s circles, and the ancient magic of feminine gathering. Then, Keri shares the beauty of tea ceremonies, which help us slow down and catch up—both to ourselves and with the fast pace of life.  

She encourages us to live in “the juice” and humility of the unknown, listen to the truth of the moment, and share your imperfect offering. 

TESS’S TAKEAWAYS: 

  • Somatics, tea ceremonies, and other practices open us to embodied listening.   
  • Women are always birthing, not only babies, but ideas, and new versions of themselves.  
  • Women’s circles provide a space for connection, free expression, and healing. 
  • Pleasure is yours to have and share. Not something somebody gives you.  
  • Have the sovereignty to walk away from what isn’t yours, and step into what is.  
  • Grief is an initiation portal that opens up new possibilities and knowing.  
  • Your darkest experiences turn into the gold from which to serve. 
  • Celebrate the mystery and humility of the unknown and listen to the questions. 

 

ABOUT KERI KHALIGHI 

Somatic guide and ceremonialist, Keri Khalighi invites women into deeper connection with their bodies, their truth, and the rhythms of the natural world through private mentorship, circles, and workshops.   

Guided by archetypal and ancestral threads, and rooted in decades of experience with embodiment, birthwork, trauma healing, and sacred ritual, Keri’s offerings create space for women to listen to their inner knowing.  

At the heart of her practice is Cha Dao - the Way of Tea - a ceremonial path which she weaves with somatic listening, expressive movement, and feminine wisdom traditions.  

Keri collaborates with her husband, Amir Khalighi, founder of Embodied Masculine, offering immersive experiences that explore the sacred dialogue of the feminine and masculine energies that exist within us and between us.  

CONNECT WITH KERI 

Website: https://wayoftheelements.com/ 

Instagram: https://www.instagram.com/keri_khalighi 

 

Guided by archetypal and ancestral threads, and rooted in decades of experience with embodiment, birthwork, trauma healing, and sacred ritual, Keri’s offerings create space for women to listen to their inner knowing.  

At the heart of her practice is Cha Dao - the Way of Tea - a ceremonial path which she weaves with somatic listening, expressive movement, and feminine wisdom traditions.  

Keri collaborates with her husband, Amir Khalighi, founder of Embodied Masculine, offering immersive experiences that explore the sacred dialogue of the feminine and masculine energies that exist within us and between us.  


CONNECT WITH KERI 

Website: https://wayoftheelements.com/ 

Instagram: https://www.instagram.com/keri_khalighi 


MEET TESS MASTERS:   

Tess Masters is an actor, presenter, health coach, cook, and author of The Blender Girl, The Blender Girl Smoothies, and The Perfect Blend, published by Penguin Random House. She is also the creator of the Skinny60® health programs.       

Health tips and recipes by Tess have been featured in the LA Times, Washington Post, InStyle, Prevention, Shape, Glamour, Real Simple, Yoga Journal, Yahoo Health, Hallmark Channel, The Today Show, and many others.    

Tess’s magnetic personality, infectious enthusiasm, and down-to-earth approach have made her a go-to personality for people of all dietary stripes who share her conviction that healthy living can be easy and fun. Get delicious recipes at TheBlenderGirl.com.    

 

CONNECT WITH TESS:  

Website:  https://tessmasters.com/     

Podcast:  https://ithastobeme.com/      

Health Programs: https://www.skinny60.com/  

Delicious Recipes: https://www.theblendergirl.com/  

Facebook:  https://www.facebook.com/theblendergirl/     

Instagram:  https://www.instagram.com/theblendergirl/     

YouTube:  https://www.youtube.com/user/theblendergirl    

LinkedIn:  https://www.linkedin.com/in/tessmasters/ 


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Tess Masters:

Keri, I'm so excited to hold space with you

Tess Masters:

and get inside this beautiful tapestry of your life. I want to

Tess Masters:

ask you about what it was like to be thrust into the modeling

Tess Masters:

world from small town Nebraska,

Keri Khalighi:

yeah, I think I didn't actually know what was

Keri Khalighi:

happening at the time. Looking back is a totally different

Keri Khalighi:

thing than when I put myself in the position of that 13 year old

Keri Khalighi:

girl who flew from Blair Nebraska to New York. And at the

Keri Khalighi:

time, I was young, and even though I was naive and very shy,

Keri Khalighi:

Oh, bless that little one, I was so shy and so out of my element.

Keri Khalighi:

But I had that thing that a lot of young people have, which is

Keri Khalighi:

just just fearless like that. You know, the fool of the Tarot,

Keri Khalighi:

just like walking off the edge of the cliff, quite happy,

Keri Khalighi:

because there's I didn't really know that much, so I quite

Keri Khalighi:

happily just, you know, met the moment of that and and was

Keri Khalighi:

thrust into a very grown up world that I was not equipped

Keri Khalighi:

for. But I really I learned trial by fire, and I learned as

Keri Khalighi:

I went. What did you learn? I learned how to survive in a

Keri Khalighi:

very, very to use the word inappropriate is, it's not quite

Keri Khalighi:

right, but what I'm a mom of four daughters now, so when I

Keri Khalighi:

can't help but think back to that version of myself, and I

Keri Khalighi:

feel this fierce mama bear one in me, just like loving that

Keri Khalighi:

version of myself. And so I from this standpoint, I would say

Keri Khalighi:

that's an incredibly inappropriate situation for a

Keri Khalighi:

teenager to be in I would never let my daughters do that, and my

Keri Khalighi:

my daughter, when was it last summer, she was vacationing in

Keri Khalighi:

London with a friend, and she was approached by a modeling

Keri Khalighi:

agent and given a card, and she went to the agency. And the

Keri Khalighi:

whole time, I was just biting my lip and because I wanted to just

Keri Khalighi:

yell no, but I know what the team you have to be, very artful

Keri Khalighi:

and strategic, and so all that to say. I did not want that from

Keri Khalighi:

my daughters. And so when I think back to what I learned, I

Keri Khalighi:

learned. I learned a lot about how to shut down, how to shut

Keri Khalighi:

Yeah, how to shut down to kind of get along. I had a lot of

Keri Khalighi:

angels along the way. A lot of a lot of really traumatic things

Keri Khalighi:

happen along the way, and a lot of incredible if I, if I was a

Keri Khalighi:

writer, and I remembered more it would make an incredible memoir,

Keri Khalighi:

because there were some just fun and fabulous time champagne in

Keri Khalighi:

the morning and like mini skirts and sunglasses and she vivid

Keri Khalighi:

West with cokes and being just young and fabulous and making a

Keri Khalighi:

shit ton of money and not having a lot of responsibilities,

Keri Khalighi:

besides flying around the world and showing up to work on time,

Keri Khalighi:

there was a lot of partying that happened in order to, I think,

Keri Khalighi:

cope or feel like, feel like I fit in. I really did have that

Keri Khalighi:

fish out of water, because I really was, I really was.

Tess Masters:

And so you said you learned how to shut down. So

Tess Masters:

what did that look like? And then, how did you open up again?

Keri Khalighi:

Well, it's been, it's been a decades long

Keri Khalighi:

journey, a hero's journey, so to speak. And again. I mean, I can,

Keri Khalighi:

I can name it that sitting from my standpoint now, with the

Keri Khalighi:

nervous system, education that I have, and the embodiment wisdom

Keri Khalighi:

that I have, I can look back and see, oh, I really had to shut

Keri Khalighi:

that feeling part of myself off. There wasn't time or any safe

Keri Khalighi:

there wasn't a safe space to be as terrified as I think I was

Keri Khalighi:

deep down. You know, I I have a 16 year old daughter in the

Keri Khalighi:

house in there, and when I think about her navigating Paris and

Keri Khalighi:

Germany the way I was now, I was alone going on, they call them

Keri Khalighi:

ghosties back in the time. But all these appointments all

Keri Khalighi:

around the city, in the north and then in the south, and then

Keri Khalighi:

two o'clock, it's over there. And I was navigating the city

Keri Khalighi:

and the subways and the busses, and I had my my Filofax. There

Keri Khalighi:

were no smartphones. There was like I had to find a pay phone

Keri Khalighi:

and collect call my family if I wanted to connect. And it was a

Keri Khalighi:

different. In time, and I was navigating that on my own. So

Keri Khalighi:

for at that point, I was 14, and so I think I just had to shut

Keri Khalighi:

down a lot of my sensitivity, which I'm naturally a very

Keri Khalighi:

sensitive being, but there wasn't, there wasn't space, or

Keri Khalighi:

that wasn't really allowed. I couldn't, I wouldn't have been

Keri Khalighi:

able to function and survive had I felt all of the things I felt.

Keri Khalighi:

So I learned to kind of, I think, on an unconscious nervous

Keri Khalighi:

system, way shut down, go along to get along party at night,

Keri Khalighi:

because I felt okay then and I happen to, I happen to to couple

Keri Khalighi:

with, with, uh, I was in a seven year relationship during that

Keri Khalighi:

time with a slightly older man who was much more worldly than

Keri Khalighi:

I. And as as much as that relationship had its unhealthy

Keri Khalighi:

aspects, for sure, there was also he provided me this sense

Keri Khalighi:

of safety and some sort of stability while I flew out

Keri Khalighi:

around the world, quite literally, on a plane every two

Keri Khalighi:

to three days, which was wonderful on one aspect, like

Keri Khalighi:

travel, best education ever. But he I would it was someone I

Keri Khalighi:

could come home to. He was always there, always there. I

Keri Khalighi:

mean, smoking his brains out, but he was always like, that was

Keri Khalighi:

okay with me.

Tess Masters:

Yeah. And then, what was it like coming out of

Tess Masters:

that world and then stepping into something that was, I want

Tess Masters:

to say, more realistic, but I'm not even sure if that's the

Tess Masters:

right word to use. What would what would you use?

Keri Khalighi:

Well, certainly more more real for me, for who I

Keri Khalighi:

am, my essence, my soul, my what I know to know as my soul path.

Keri Khalighi:

Now I it's really interesting from an astrological standpoint,

Keri Khalighi:

it was just at my solar return, at 2929 30, that I closed the

Keri Khalighi:

door on modeling. And simultaneously, that's that that

Keri Khalighi:

simultaneously happened with me becoming a mother, and at that,

Keri Khalighi:

that point, I was really clear, oh, I was done. I was done. I

Keri Khalighi:

was, I think, really wanting to close the door on modeling. I

Keri Khalighi:

had done it, and I had done it up and down and all around in

Keri Khalighi:

every direction, like I did all the things I wanted to do in

Keri Khalighi:

that world, and I did it well and and I was done that was

Keri Khalighi:

complete. And so it felt like a relief to be done. And being

Keri Khalighi:

pregnant and stepping into motherhood gave me a really good

Keri Khalighi:

excuse, kind of there was a really good reason to close the

Keri Khalighi:

door on that, because all I ever really knew I wanted was to be a

Keri Khalighi:

mother, and so it would. It allowed me to fully just give

Keri Khalighi:

everything. I didn't have to divide myself. I didn't have to

Keri Khalighi:

think about work. I was fully, fully dove into motherhood and

Keri Khalighi:

and really it turned and then left that world behind. I'm,

Keri Khalighi:

it's, it's truly complete,

Tess Masters:

yeah. And so as you closed that door, and then

Tess Masters:

this other world opened up as a mother, what did you step into

Tess Masters:

there in terms of swimming around with the essence of you?

Keri Khalighi:

You know, as you're

Keri Khalighi:

speaking, I'm realizing there's all these sometimes I like

Keri Khalighi:

things to be really neat and tidy, but I'm realizing, no,

Keri Khalighi:

there was a really important overlapping piece that happened,

Keri Khalighi:

which was probably like maybe three years before I closed the

Keri Khalighi:

door entirely on modeling. My father got really sick. He got

Keri Khalighi:

cancer, and I went to take care of him. He didn't have he didn't

Keri Khalighi:

really have anybody else in his life at that point, that's a

Keri Khalighi:

whole other story. But I was called to go and really heal my

Keri Khalighi:

relationship with him. We've been estranged for the better

Keri Khalighi:

part of my life, but I took that opportunity to go care for him,

Keri Khalighi:

and it was a beautiful, horrifying, just exquisite

Keri Khalighi:

experience for two and the last two and a half years of his

Keri Khalighi:

life, and taking care of him in a really intimate way, really

Keri Khalighi:

healed something for us, and now he's on the other side, and

Keri Khalighi:

we're incredibly close, and he's such an ally to me, really

Keri Khalighi:

grateful for that time. But what happened during that time is I

Keri Khalighi:

fell. Felt there was this deep fulfillment in caring for him

Keri Khalighi:

and sort of midwifing, this midwifing him out. And I thought

Keri Khalighi:

maybe there's something here for me, because I was had already

Keri Khalighi:

wanted out of modeling like I'm kind of done. It doesn't really

Keri Khalighi:

fit me. What if there's something here? What if I become

Keri Khalighi:

a midwife? No, no. First it was, what if I become a nurse? Like,

Keri Khalighi:

I help people like this. I help people who are sick. And I

Keri Khalighi:

thought, no, no, no, that's like, too dark and difficult.

Keri Khalighi:

But what if I'm on the other side of life? What if I become a

Keri Khalighi:

midwife? And so in researching that, I discovered this thing

Keri Khalighi:

called doula. And to become a doula, it was a much shorter,

Keri Khalighi:

easier path in I realized I could become certified and start

Keri Khalighi:

working as a doula quite, quite relatively quickly. So that's

Keri Khalighi:

what I did. So the the that initiation portal of my father

Keri Khalighi:

being sick and eventually passing opened up this new

Keri Khalighi:

place, which was really my first, my first opening into the

Keri Khalighi:

body and women's bodies and the stories that our bodies carry,

Keri Khalighi:

which you know, if you look at the book many chapters later,

Keri Khalighi:

and where I'm at now, I realize, Oh, that was the genesis in the

Keri Khalighi:

now it's more metaphorical, like what we're birthing as women,

Keri Khalighi:

not necessarily babies, but you know what we're birthing, ideas,

Keri Khalighi:

new versions of ourselves and through the body, which is the

Keri Khalighi:

field that I work in, is the body. So I realized that was the

Keri Khalighi:

that was the beginning. Yeah. So

Tess Masters:

as you journeyed with yourself and forming this

Tess Masters:

beautiful relationship with your body and also being able to

Tess Masters:

intersect with other people on that journey, as a doula, as a

Tess Masters:

mother, shepherding your father through that transition. What

Tess Masters:

was the next iteration of that in your 30s, when you worked

Tess Masters:

with Michaela and really started exploring other parts of of

Tess Masters:

embodiment.

Keri Khalighi:

It's so interesting because I'm noticing

Keri Khalighi:

the similarity. And so the death of my father heralded this birth

Keri Khalighi:

of this new this new chapter for me. And likewise, the death of

Keri Khalighi:

my marriage at that time pushed me into this embodiment work

Keri Khalighi:

where I got myself. We spoke about this earlier. I got into

Keri Khalighi:

the work. It was David data's work initially, and then I went

Keri Khalighi:

on to do the women's work that Michaela was holding, and I got

Keri Khalighi:

into the David data sexual polarity, that kind of worked to

Keri Khalighi:

save my marriage. But what I really got through Michaela's

Keri Khalighi:

work was I really got me. I really got me in a in a deeply

Keri Khalighi:

embodied way that I hadn't had before, and that was a big

Keri Khalighi:

initiation for me into just feeling myself in a certain way,

Keri Khalighi:

giving myself permission in a certain way, and feeling

Keri Khalighi:

empowered, getting in touch with what do I need, and how does

Keri Khalighi:

that, how does that flow into what my boundaries are, what's

Keri Khalighi:

okay, what's not okay, and and then really, you know, really

Keri Khalighi:

coming to terms with the end of my of that marriage, which was

Keri Khalighi:

so profound for me, because I think most people going into

Keri Khalighi:

Marriage don't think that it's going to end, yeah, especially

Keri Khalighi:

if you come from, if you're a child of divorce, I think we

Keri Khalighi:

have a particular thing that's like, okay, that's, I'm not

Keri Khalighi:

going to recreate that. I would never do that. And then, you

Keri Khalighi:

know, I found myself there, and I found myself at that, like the

Keri Khalighi:

edge of the cliff, about to jump off and realizing, you know,

Keri Khalighi:

it's a very layered decision, and I realized that I would be

Keri Khalighi:

tearing my family apart and breaking my children and their

Keri Khalighi:

broken hearts along with me. So it was a it was, took me about

Keri Khalighi:

four years to reckon with that, and but I got myself through

Keri Khalighi:

Michaela's work, and that really, really catapulted me

Keri Khalighi:

into a new place in my life, kind of a that era right after

Keri Khalighi:

my divorce was a real Renaissance. And from I stayed

Keri Khalighi:

with Michaela and did that work deeply for many years, and that

Keri Khalighi:

kind of flowed into doing. Some more classical Tantra work, sort

Keri Khalighi:

of Neo Tantra. And then I found a very, very classical, like

Keri Khalighi:

classical old school, like old Tantra teacher, Nita Rubio, and

Keri Khalighi:

we'd start to go into the womb and do womb work. And you know,

Keri Khalighi:

again, women's bodies and the wisdom and the stories that they

Keri Khalighi:

that they hold, and ask me a question to bring me back,

Keri Khalighi:

because I'm swimming in my Oh,

Tess Masters:

I'm swim. I'm enjoying just swimming around in

Tess Masters:

in these threads that you're pulling together

Keri Khalighi:

when you were

Tess Masters:

in this renaissance and

Keri Khalighi:

being a single mother

Tess Masters:

of these young girls,

Keri Khalighi:

and

Tess Masters:

figuring out what was going on in your body and

Tess Masters:

giving yourself permission, as you say, to have that experience

Tess Masters:

while you're role modeling a strong woman or a vulnerable

Tess Masters:

woman or or an open woman for these young Girls, what? What

Tess Masters:

was that like in terms of the permission journey? I'm just

Tess Masters:

fascinated by that, how the embodiment continued to invite

Tess Masters:

you to lean into that.

Keri Khalighi:

Yeah, I mean, I think that permission piece was

Keri Khalighi:

key for me in going from I will do whatever it takes to keep

Keri Khalighi:

this marriage together to really getting real about, wait, what?

Keri Khalighi:

What am I modeling for my children and is who I'm being,

Keri Khalighi:

because I know that that's how our children learn everything.

Keri Khalighi:

It's it's not what we're saying or the lessons we teach, it's

Keri Khalighi:

the lessons we're living. It's how we're being. And I realized

Keri Khalighi:

I was modeling like a lot of separation and unfulfillment and

Keri Khalighi:

and so that was, that was what allowed me to

Keri Khalighi:

really it felt like jumping off this cliff into the unknown. But

Keri Khalighi:

what

Keri Khalighi:

really also allowed me to have the permission to jump after is

Keri Khalighi:

I held this flame in my heart of what I knew I just had a sense

Keri Khalighi:

of what I knew a partnership could feel like. And it wasn't

Keri Khalighi:

that my marriage was horrible. We didn't we never even fought

Keri Khalighi:

in front of the kids. But there was, I wasn't met. I wasn't met

Keri Khalighi:

in all the ways I think my deeply, deeply need that some

Keri Khalighi:

people, I think, are wired, they're very ambitious in their

Keri Khalighi:

careers, or they, you know, are led by their purpose out in the

Keri Khalighi:

world. Like for me, I'm a very relationship oriented person, so

Keri Khalighi:

for me to not have those intimate needs fully met. I'm

Keri Khalighi:

like, walking around, like, limping, like I'm not, don't

Keri Khalighi:

have all my extremities, so I let that flame and that knowing

Keri Khalighi:

of like, okay, this is, this is okay. I could cut, I could sort

Keri Khalighi:

of cut part of myself off, the part of myself that needs this

Keri Khalighi:

and this and that, and because there's security here, and he

Keri Khalighi:

makes me laugh sometimes, and, you know, but I was so deeply

Keri Khalighi:

unhappy for real, and so that flame of what I just imagined or

Keri Khalighi:

knew love could be in partnership and finding a mate

Keri Khalighi:

that also had me jump off the cliff. And I said, You know what

Keri Khalighi:

my my daughters deserve to see me, met in that way and

Keri Khalighi:

fulfilled in that way and radiant in

Keri Khalighi:

that way. And I don't

Keri Khalighi:

know what it's going to look like or if it's going to come,

Keri Khalighi:

but I kind of believe it is. And when I met my now husband, which

Keri Khalighi:

was a few years after that we met, we met through poetry, in a

Keri Khalighi:

way, and he wrote this poem talking about that inner flame.

Keri Khalighi:

And when I met him, it resonated with that flame. And I'm like,

Keri Khalighi:

Oh, there you are.

Tess Masters:

The twin flame is, is a beautiful thing. I want to

Tess Masters:

ask you though about finding that intimate connection with

Tess Masters:

yourself and being whole within yourself so that you could.

Tess Masters:

Invite in Amir, who was also on that journey of being whole

Tess Masters:

himself, so that you could meet in this place of true intimacy

Tess Masters:

and connection.

Keri Khalighi:

Yeah, well, I think that the beginning of that

Keri Khalighi:

was having the courage to walk away from something that really

Keri Khalighi:

wasn't mine, and I and it took, it was the most courageous thing

Keri Khalighi:

I've ever done in my life. It was the one of the hardest thing

Keri Khalighi:

by far at that point that had been that was the hardest thing,

Keri Khalighi:

the most courageous thing. And I knew it, and I did it. And

Keri Khalighi:

there's something that like, there's something that happens

Keri Khalighi:

like, Whoa, that that sovereignty and knowing that

Keri Khalighi:

Well, I can trust myself to to do the hardest, most courageous

Keri Khalighi:

thing, because I value myself and my life in that way. There's

Keri Khalighi:

something that happens when you're willing to do that, at

Keri Khalighi:

least for me, that was, that was my, my thing, and then, you

Keri Khalighi:

know, simultaneously, I'm doing this work of embodiment and

Keri Khalighi:

really going into the crevices of exploring my sensuality and

Keri Khalighi:

my sexuality that had been something that had been cut off

Keri Khalighi:

in my earlier years, so to reclaim that piece for myself.

Keri Khalighi:

And really understanding, especially in my maiden years,

Keri Khalighi:

there was this idea that somebody was going to come and

Keri Khalighi:

bring me pleasure, or do it to me, or something like that. And

Keri Khalighi:

what I really understood is no, the pleasure is mine. My

Keri Khalighi:

Pleasure is mine. Let me really get to know it, and then I have

Keri Khalighi:

it to share with somebody when that time comes common, like, do

Keri Khalighi:

me. Like, there's that mentality, like someone's going

Keri Khalighi:

to do it to me, give me put no so I got to really explore that

Keri Khalighi:

and and have that and then really have that claimed in

Keri Khalighi:

order to then share that with somebody. And that's really fun

Keri Khalighi:

when it happens that way.

Tess Masters:

Yeah, but you and AMIA didn't meet, and then

Tess Masters:

whoosh, we're going to couple up. No no, take me through that

Tess Masters:

evolution. So

Keri Khalighi:

I'm like, which version am I going to tell?

Keri Khalighi:

That. So, you know, I'll just say this. I'm sure there's at

Keri Khalighi:

least one or two people listening who have been in a

Keri Khalighi:

relationship where there's, there's like, you're kind of a

Keri Khalighi:

wilting flower dying in the desert, like, like, let's just

Keri Khalighi:

say, for example, in the sexual arena, like your your sexual

Keri Khalighi:

needs aren't met. Oh, I see

Tess Masters:

there's more than one or two people listening who

Tess Masters:

can relate to that.

Keri Khalighi:

So I, you know, I walked away from it, from that

Keri Khalighi:

aspect in my marriage, and and then it was like, like, let's

Keri Khalighi:

go, let the pendulum swing. And so I got into a, I got into a

Keri Khalighi:

beautiful relationship that I guess was really, it was sexual

Keri Khalighi:

healing, and that was what it was. And that lasted for about a

Keri Khalighi:

year and a half. And that was beautiful. And needed to was

Keri Khalighi:

like a it was like, Yeah, rain in the desert. But that was,

Keri Khalighi:

that was, you know, there's a reason, a season or a lifetime

Keri Khalighi:

that was for a reason, and that really was coming to an end. And

Keri Khalighi:

that was coming to an end, and that was a process. And as that

Keri Khalighi:

was closing, my antennas, or my energies were starting to open,

Keri Khalighi:

to even, even be aware of other men or other energies in my in

Keri Khalighi:

my field, and Amir came in, and likewise, at that time, he was

Keri Khalighi:

ending a relationship, and we met over Facebook. We didn't

Keri Khalighi:

meet over Facebook, I guess sort of, kind of, we were friends

Keri Khalighi:

somehow, through various overlapping communities. But it

Keri Khalighi:

was just at that time, I don't know, the algorithm Gods put him

Keri Khalighi:

in my feed, and I he was on a trip, and I was following his

Keri Khalighi:

travels. And I think because that relationship was ending, I

Keri Khalighi:

was really open to this man who was a beautiful mix of father,

Keri Khalighi:

sober man, martial artist, poet, nature, lover. I was just really

Keri Khalighi:

taken by him. All the while following his travels, and I

Keri Khalighi:

commented when it was his, it was his sober birthday, and I

Keri Khalighi:

just snuck in that. I too. At that point, I was not sober. I

Keri Khalighi:

also was sober for 16 years, and that was a really beautiful part

Keri Khalighi:

of my recovery and getting getting myself. I don't think I

Keri Khalighi:

mentioned that part of my reclamation was 16 years of

Keri Khalighi:

sobriety and doing a lot of recovery work, but I wanted him

Keri Khalighi:

to know that we shared that. So I was, I was very artful in my

Keri Khalighi:

comments. And then he posted a thing about a poem, and I I

Keri Khalighi:

mentioned, like, Ooh, it was from one of my favorite poets,

Keri Khalighi:

Mary Oliver, but I didn't know this poem. And so I comment, I

Keri Khalighi:

remember what I wrote. I said, Oh, I'm gonna this is a good one

Keri Khalighi:

for my poetry medicine first. And then he the next message was

Keri Khalighi:

not in the comments, it was in the DM section. And I think I

Keri Khalighi:

sound like a dinosaur right now. Love section.

Keri Khalighi:

Oh, god, my teen girls would just

Keri Khalighi:

be crawling under the table right now. Anyway, I think we

Keri Khalighi:

all know what I mean. Oh, I know what you made. We all know what

Keri Khalighi:

you made. What's a poetry medicine purse? I'm like, Oh,

Keri Khalighi:

this is going to be fun. So I started to share with him a lot

Keri Khalighi:

of my favorite poems that for me are medicine. It's the it's just

Keri Khalighi:

the thing that can get in there and touch place in the heart.

Keri Khalighi:

And so we started sharing poems, and I started to really, really

Keri Khalighi:

feel something for this man, and we were back and forth, back and

Keri Khalighi:

forth, but I hadn't quite closed it. I hadn't closed it

Keri Khalighi:

completely with this other relationship, and I was feeling

Keri Khalighi:

really out of integrity, because I was really having feelings. So

Keri Khalighi:

one of my next messages was like, Vulnerability Alert. I'm

Keri Khalighi:

we have to stop communicating, because I'm really crushing on

Keri Khalighi:

you, and I'm not complete in my last relationship yet. And when

Keri Khalighi:

Amir tells the story, he remembers exactly where he was

Keri Khalighi:

when he got that message, and he's like, All I heard was she

Keri Khalighi:

has feelings for me. Nothing else mattered. And, long story

Keri Khalighi:

short, we decided to we were both feeling very real things,

Keri Khalighi:

and both wanted to be together in fullness, wholeness and

Keri Khalighi:

integrity. So we were at this crossroads, okay, what do we do?

Keri Khalighi:

We're both have like, half an arm hanging off. We're not we're

Keri Khalighi:

still ending things. So we decided to take a note from this

Keri Khalighi:

David White poem called Winter Apple, which speaks about themes

Keri Khalighi:

of patience and ripeness and timing. And yeah, there's this

Keri Khalighi:

beautiful visual of finally taking the apple off the branch

Keri Khalighi:

like a two full months after you should have taken it down. He

Keri Khalighi:

says, You do, and you bite in. And he describes just the the

Keri Khalighi:

lushness of of the weight and and all that that brings. And so

Keri Khalighi:

I said, What if we take a page from David White and we meet in

Keri Khalighi:

two months. And so we set the date. He said he's like, here's

Keri Khalighi:

the date, Here's my address. See you then. And and then there

Keri Khalighi:

were, there was a, there's about a book this thick. I made a book

Keri Khalighi:

later. Of all, all that transpired between that moment

Keri Khalighi:

and that, that point, two months later, there was many, many

Keri Khalighi:

writings. We never spoke, voice to voice. I scoured the Internet

Keri Khalighi:

and I found some talk he did to martial arts students their

Keri Khalighi:

black belt graduation, and so I could hear his voice, and he did

Keri Khalighi:

render me some poems and send me some poems, but it was a very

Keri Khalighi:

old school, beautiful courting, where, like almost by messenger

Keri Khalighi:

pigeon, you know, we would send notes back and forth, although

Keri Khalighi:

it was it was over Facebook. It was not over text. It was all

Keri Khalighi:

through Facebook. And I fell in love. We fell in love that way.

Keri Khalighi:

So by the time that two month mark came, our was strange. Our

Keri Khalighi:

bodies had to catch up with what was already woven together

Keri Khalighi:

energetically and through the heart. Um, he was to order it,

Keri Khalighi:

and I thought he'd be winning.

Tess Masters:

Oh, gosh, I I really, really love this story.

Tess Masters:

And as I've said to you before, when I came to your 50th

Tess Masters:

birthday party, which you were so gracious. In including me in

Tess Masters:

the love in your circle of friends and family was so

Tess Masters:

beautiful, and you really gave a master class in receiving love

Tess Masters:

and giving it and holding it for all of us. So tell me about what

Tess Masters:

it's been like to step into working together

Keri Khalighi:

and shepherding

Tess Masters:

an embodied experience for others, for men

Tess Masters:

and women, and the dynamic change that occurs when you're

Tess Masters:

doing that together, as opposed to the privacy and intimacy of

Tess Masters:

your

Keri Khalighi:

your relationship. It's one of my

Keri Khalighi:

favorite things to do, is it's co creating an experience

Keri Khalighi:

holding space and and, yeah, shepherding a journey for people

Keri Khalighi:

and an experience for people with my husband built out of the

Keri Khalighi:

magic that I think we are somehow blessed to share

Keri Khalighi:

together. So I feel like it's it. It's birth. The birthplace

Keri Khalighi:

is our love, and whether or not the offering has to do with with

Keri Khalighi:

romantic love, which normally it doesn't, but it's, but that's

Keri Khalighi:

the birthplace. I mean, it's, it's also the energetic

Keri Khalighi:

principle of when, you know, when two things come together in

Keri Khalighi:

unity than like this third thing is born. So I feel like when we

Keri Khalighi:

when we get to co create together, this third thing is

Keri Khalighi:

born, and it feels just so alive and so satisfying to create with

Keri Khalighi:

a mirror outside of the home. I mean, we create a lot within our

Keri Khalighi:

home, but to do it outside our home and to have our our

Keri Khalighi:

community be I really feel like it's a beacon of light, and I

Keri Khalighi:

feel really honored to be able to hold that beacon of light for

Keri Khalighi:

our community, for whoever chooses to enter that space with

Keri Khalighi:

us, and, yeah, to use it, to use that for, for to really be in

Keri Khalighi:

service, to really be in service of other people, then whatever

Keri Khalighi:

that light does for for other people, and some of that's most

Keri Khalighi:

of That's none of my business. I just were able to, we hold the

Keri Khalighi:

space, we hold the practices and then the magic and the beauty

Keri Khalighi:

and the life and the love and the God that happens within that

Keri Khalighi:

is really none of my business. It's my delight, but it's none

Keri Khalighi:

of my business, in a way, and it's just so satisfying to be

Keri Khalighi:

able to create and paint and birth magic with with my

Keri Khalighi:

beloved, yeah, share that with other people.

Tess Masters:

Birthing it's just such a beautiful image, isn't

Tess Masters:

it?

Keri Khalighi:

Terms of beautiful,

Tess Masters:

messy and beautiful, you're called to do

Tess Masters:

things in your life. So what was the calling for you to open

Tess Masters:

circle, to invite women to sit in circle with you. How did that

Tess Masters:

calling come about?

Keri Khalighi:

Well, so I found myself in a very different place

Keri Khalighi:

than when I first became a mother, that place of all I want

Keri Khalighi:

to do is be a mother, just feeling it to the entry point.

Keri Khalighi:

Bear with me for a second. It was I started to feel as the

Keri Khalighi:

years unfolded, being a being a mother, I started to feel this

Keri Khalighi:

pull of what is what is mine to share, what is my purpose, what

Keri Khalighi:

is beyond being a mother. I mean that is full and complete in and

Keri Khalighi:

of itself, deepest, greatest journey of my life, like deepest

Keri Khalighi:

spiritual practice as being a mother. And there was this

Keri Khalighi:

thing, this like longing to have another aspect of myself be

Keri Khalighi:

birthed, to be known. And I spent many years, many

Keri Khalighi:

workshops, many retreats with this, this angst, almost of what

Keri Khalighi:

is mine, and looking looking around and being so inspired by.

Keri Khalighi:

These women that just they're so clear on what their thing is,

Keri Khalighi:

but the mirror was very clear. I did not yet know what mine was,

Keri Khalighi:

and I spent many years in that not knowing and then, but also,

Keri Khalighi:

I've been a speaker and a collector and of information and

Keri Khalighi:

practice and collect you just, you know, from body work to

Keri Khalighi:

being a doula to the embodiment work to just all the initiations

Keri Khalighi:

and the Tantra and the archetypal work and feminine

Keri Khalighi:

Mystery Schools. It All. I realized, collecting it all,

Keri Khalighi:

collecting it all in this big sort of cauldron. One day I just

Keri Khalighi:

realized, oh, I don't need to search for it. It's, it's

Keri Khalighi:

somewhat simpler than I think it's just the

Keri Khalighi:

amalgamation of who I am that is mine to share and give.

Keri Khalighi:

Yes, and so that transposed with this crazy portal that was

Keri Khalighi:

COVID. COVID allowed me to kind of get through all the

Keri Khalighi:

resistance I had to technology and realizing, wow, Zoom is such

Keri Khalighi:

a gift. It's so easy. I just I My house is about 20 feet that

Keri Khalighi:

way I want I'm in my little tea room right now. So all I have to

Keri Khalighi:

do is walk into my tea room, turn on the computer, invite

Keri Khalighi:

some people, and we are we get to be together. So the circles

Keri Khalighi:

birthed out of me really really wanting connection and

Keri Khalighi:

community, and wanting a space to practice together and move

Keri Khalighi:

together and sound together and just like be deep and wide in

Keri Khalighi:

all the ways together. And there wasn't a space for that, at

Keri Khalighi:

least in the way that I was dreaming it, the way I was

Keri Khalighi:

wanting it.

Keri Khalighi:

So yes, it really was this, that adage of Be the change you want

Keri Khalighi:

to to see in the world, create that thing that you're wanting.

Keri Khalighi:

And so zoom and COVID made that really clear to me. And my first

Keri Khalighi:

circle was really simple. I invited an amazing women in my

Keri Khalighi:

life. And I said, Let's I'm going to try this thing and come

Keri Khalighi:

and Let's be together. And it was a really organic unfolding.

Keri Khalighi:

I literally just shared all the practices that I was already

Keri Khalighi:

doing in my life. So I look back now to that version of me that

Keri Khalighi:

was really so angsty for so many years, just wallowing in, like,

Keri Khalighi:

what's mine, what's my thing? And it was just, it was there

Keri Khalighi:

all along. And I think, I mean, that's such a metaphor. It's

Keri Khalighi:

such a metaphor for all of us. And like, really thinking it's

Keri Khalighi:

got it's harder, more complicated or fancier, more

Keri Khalighi:

sophisticated. It's just, it's all it's all right here, it's

Keri Khalighi:

all right here. And that's a really big part of my work is

Keri Khalighi:

slowing down, getting still and just really needing what is here

Keri Khalighi:

in the moment. And there's so much information and peace and

Keri Khalighi:

wisdom in the moment when we can really, really slow down and

Keri Khalighi:

dive underneath the chaos into this one of my teachers, Maya

Keri Khalighi:

Luna, calls the deep feminine current of reality. It's always

Keri Khalighi:

here. But like, how do we get there and and that, that journey

Keri Khalighi:

is really fun to take, and then being in, being in that flow,

Keri Khalighi:

and the the, yeah, the knowledge, the wisdom, the

Keri Khalighi:

pleasure, the aliveness that's available there is,

Keri Khalighi:

is fun to play in as well.

Tess Masters:

It's delicious. So for somebody listening who has

Tess Masters:

never sat in circle with other women, whether it be in person

Tess Masters:

or over zoom or at a meeting of any description, what's the

Tess Masters:

magic of circle for you, when women come together,

Keri Khalighi:

oh, man, it's beyond me. It is this ancient,

Keri Khalighi:

just this ancient code that I think, that we, that we just

Keri Khalighi:

hold. And I often say, you know, we could, we could just all

Keri Khalighi:

gather in a room, have, like, no plan, no agenda. In fact, that's

Keri Khalighi:

the best way, when I have to do anything, just be together. And

Keri Khalighi:

it's like this magic women have. We just know what's needed in

Keri Khalighi:

the moment, like we can feel each other. It's that thing that

Keri Khalighi:

you know, woman comes over. Over and can look around your house

Keri Khalighi:

and just, I don't know, folds a towel or does the dishes or just

Keri Khalighi:

sits with you like we just know, and we also have this incredible

Keri Khalighi:

permission medicine for each other, which happens less over

Keri Khalighi:

zoom, I'll say, but like yesterday, I held an in person

Keri Khalighi:

event. And what's so beautiful about women and our permission

Keri Khalighi:

medicine is we we free each other through through our own

Keri Khalighi:

embodiment. And what I mean is like I was telling the women

Keri Khalighi:

yesterday when guiding them through movement, if you get in

Keri Khalighi:

your head or you feel lost, or do you feel like you don't know

Keri Khalighi:

what you're doing, just open your eyes and look around some

Keri Khalighi:

there'll be another woman who inspires you, or is like, Oh,

Keri Khalighi:

I'm gonna, I'm gonna try that. Or she looks really weird over

Keri Khalighi:

there. Okay, it's really okay to be weird. Or you hear another

Keri Khalighi:

woman's exhale or a sound or a moan or a cry, and it's, you can

Keri Khalighi:

just feel it. It unlocks something. And it's beyond

Keri Khalighi:

anything I can describe with words. It's, it's this felt

Keri Khalighi:

sense, this ancient thing that we hold as women, as as the

Keri Khalighi:

bears of life, like we are the vessel that life. We literally

Keri Khalighi:

change energy into matter. I mean, it's, it's really, really

Keri Khalighi:

wild when you think about it. And so there is just this. I

Keri Khalighi:

love being a woman. I love it so much, and I love guiding other

Keri Khalighi:

women into falling back in love with themselves when they truly

Keri Khalighi:

come home to themselves in a really true way beyond what they

Keri Khalighi:

want to be, but like what they actually are.

Tess Masters:

I want to ask you how tea ceremony is weaving

Tess Masters:

itself into the tapestry of how you're holding space and how

Tess Masters:

that came into your life and how you welcomed it in.

Keri Khalighi:

Oh, tea has been such a beautiful, beautiful ally

Keri Khalighi:

for me, the tea itself, the plant, spirit of the tea, has

Keri Khalighi:

just been such a beautiful ally. And then the ritual and the

Keri Khalighi:

beauty and all the elements of the ritual, it's just been

Keri Khalighi:

something. It really held me through again, that COVID

Keri Khalighi:

portal. I discovered tea about a year before everything shut

Keri Khalighi:

down, I found it through my dear friend Satya, who had been going

Keri Khalighi:

to tea for many, many months, if not years, and she would call me

Keri Khalighi:

in the car after tea every time so, so consistently. It was

Keri Khalighi:

annoying, because she would rave about it and in the back of my

Keri Khalighi:

brain and almost roll my eyes, like, okay, it's tea I get it.

Keri Khalighi:

What's the big deal? She knew what I didn't know. She knew it.

Keri Khalighi:

There was something there for me, and when I finally went to a

Keri Khalighi:

tea ceremony with her, partly because I knew I trust her and

Keri Khalighi:

like, okay, and partly, probably to just get her to stop calling

Keri Khalighi:

me, not really. I mean, you know, you know I'm being silly,

Keri Khalighi:

but I walked up the stairs and the the door opened to the tea

Keri Khalighi:

room, and it almost it took my breath away. I and I, I started

Keri Khalighi:

to cry immediately, which is very good thing. That's my

Keri Khalighi:

barometer to I know when something is very real. And I

Keri Khalighi:

was so touched by the beauty, by the pace, yeah, the slowness,

Keri Khalighi:

the intentionality of every object, and just the space that

Keri Khalighi:

the ritual and the tea itself opened up for me to be feel me

Keri Khalighi:

to catch up to myself, to catch up to my life. You know, life is

Keri Khalighi:

this, this modern day life, it's just moved so fast and, you

Keri Khalighi:

know, depending on how your life is configured, you know, for me,

Keri Khalighi:

I've got a I've got a lot of people that I that I care for.

Keri Khalighi:

I've got a house full of kids and a husband, and this

Keri Khalighi:

beautiful life I've said yes to, and it moves really fast, and

Keri Khalighi:

it's dense, and it's like, I, I, I sense it a lot as as as the

Keri Khalighi:

ocean. And you know when the waves come in and you get up,

Keri Khalighi:

and then another wave can tackle you from behind, and you're

Keri Khalighi:

getting up again, you're like, Whoa. It's these waves. Just

Keri Khalighi:

keep. Coming and ah, to just be able to sit in tea and it's in

Keri Khalighi:

its beautiful simplicity, and have the ritual of it. Hold you,

Keri Khalighi:

hold me, is a beautiful gift, and something that deeply spoke

Keri Khalighi:

to me, and I and I sat with tea every day, similar to how I am

Keri Khalighi:

right now. Leaves in a bowl my tea, my tea teacher said, you

Keri Khalighi:

know, there's, there's a lot of beautiful teaware. There's these

Keri Khalighi:

side handle pots, and there's a lot of, like the kettles are

Keri Khalighi:

beautiful. There's beauty. That's part of the healing, you

Keri Khalighi:

know, beauty stops the mind beauty, you

Keri Khalighi:

know. And I think it's at least for me, I wanted all the

Keri Khalighi:

beautiful, fancy tea wear and but my No, you're gonna you sit

Keri Khalighi:

with leaves in a bowl, which literally, you put the leaves in

Keri Khalighi:

a bowl. And you don't need a fancy kettle. You just need a

Keri Khalighi:

rice bowl, and you pour the hot water in, and you sit that way.

Keri Khalighi:

And I sat that way for six months every day, leaves in a

Keri Khalighi:

bowl, and it's very you get very intimate with it, and it really

Keri Khalighi:

helped me. And I learned a lot in those in that time. And it

Keri Khalighi:

was, it coincided with the circles. A lot coincided in that

Keri Khalighi:

time, and until this point, or until yesterday, in fact, I've

Keri Khalighi:

held tea and and my other work, which is somatics and embodiment

Keri Khalighi:

and little flair of like archetypal shamanic threads

Keri Khalighi:

woven in those kind of journey, they've been separate. And

Keri Khalighi:

yesterday, I actually held my first event where they were

Keri Khalighi:

woven together, because after the last two or three tea

Keri Khalighi:

ceremonies, and you know, we drink about six to seven bowls

Keri Khalighi:

of tea in a ceremony. In a one hour time period, you start to

Keri Khalighi:

get a little they there's a, there's a term for it. It's

Keri Khalighi:

called Tea drunk. And a lovely place to be. There's this,

Keri Khalighi:

there's this very calm, alert state that this plant, Camellia

Keri Khalighi:

sinensis, creates this calm, alert place. And after every tea

Keri Khalighi:

ceremony in the last two or three months, afterwards, it was

Keri Khalighi:

became clear that it didn't it wanted to. It wanted to move. It

Keri Khalighi:

wanted to something more. Wanted to happen. And it was, it's such

Keri Khalighi:

a beautiful thing for me, having these two worlds. I'm like, Oh,

Keri Khalighi:

I can actually start to weave them together. What if we'd sit

Keri Khalighi:

in stillness with tea and meet all those places within and then

Keri Khalighi:

seamlessly go into a more of a somatic exploration, or a

Keri Khalighi:

somatic integration of all those places, and so kind of

Keri Khalighi:

experimented yesterday with that, and it was really, really

Keri Khalighi:

beautiful. There'll be many more.

Tess Masters:

Oh so exciting. I cannot wait to partake in that

Tess Masters:

town. It's It's so interesting what you were saying about

Tess Masters:

allowing yourself to catch up with your life, and inviting in

Tess Masters:

the stillness and the slow life is so fast and we often don't

Tess Masters:

value still and slow and then allowing ourselves to be in the

Tess Masters:

flow of where the movement of our own internal rhythm takes

Tess Masters:

us, as opposed to being carried by that of others and knowing

Tess Masters:

your medicine, it just really touches me so following along

Tess Masters:

from this idea of birthing that we've been constellating around

Tess Masters:

and inviting in you, giving yourself permission to hold what

Tess Masters:

is yours and share With the world and birth it and invite

Tess Masters:

others to swim around with it. How do you continue to share

Tess Masters:

what's yours when it's not fully formed within you yet? How do

Tess Masters:

you Yeah,

Keri Khalighi:

good question. Yeah. How to do that when it's

Keri Khalighi:

not fully formed? I think it requires for me, just a

Keri Khalighi:

continued listening. I mean, I know at this point. I mean,

Keri Khalighi:

there's so many beautiful things about being 50, reaching,

Keri Khalighi:

reaching, this, this. Age. It's so wonderful because there's so

Keri Khalighi:

much to look back on and see, see how we're so held, see how I

Keri Khalighi:

can see like, oh, all those times I was sure, just sure it

Keri Khalighi:

wasn't going to work out. It always does, all those times of

Keri Khalighi:

confusion or murkiness or not knowing, given enough time space

Keri Khalighi:

and care, it always clarifies. And so I take that into any

Keri Khalighi:

moments now, of the not knowing to really just tell myself it's,

Keri Khalighi:

it's, first of all, it's okay to not know and slow down that part

Keri Khalighi:

of me that I think we probably all have that part that so wants

Keri Khalighi:

to know, that part that wants certainty. But there's so much

Keri Khalighi:

there's so much juice in the not knowing, there's so much

Keri Khalighi:

humility that that's when I'm closest to God. That's or

Keri Khalighi:

whatever you want to call that thing that's beating our hearts

Keri Khalighi:

and breathing our chest right now, like that's when I'm close,

Keri Khalighi:

when I'm when I'm on my knees and I'm not knowing, and I'm in

Keri Khalighi:

the mystery, and I'm listening as much as I want to know. I

Keri Khalighi:

realized there's a lot of beauty in the not knowing. So it forces

Keri Khalighi:

me to listen and slow down. And, you know, I teach that, not

Keri Khalighi:

because I'm like an evolved master in it, but because I need

Keri Khalighi:

it. I've, I can teach it because I've, I've, that's the thing

Keri Khalighi:

I've needed. So I've practiced it and practiced it and

Keri Khalighi:

practiced it. So now it's mine to give. I'm maybe a couple

Keri Khalighi:

steps along the path, and somebody that might just be

Keri Khalighi:

starting to do that. And so I have some some hints about where

Keri Khalighi:

I think my work might evolve into really valuing and seeing

Keri Khalighi:

the pieces that are mine, like there's pieces from motherhood

Keri Khalighi:

and some really, I think, I think my darkest initiations are

Keri Khalighi:

the things that eventually turn into the gold from Which to

Keri Khalighi:

serve from. So there's been a lot. There's been very

Keri Khalighi:

challenging aspects to my mothering and my children. And

Keri Khalighi:

because of that, I there's some there's something there, again,

Keri Khalighi:

not fully formed, but I I'm listening, and similar to how I

Keri Khalighi:

listened to there was something that wanted to happen after tea,

Keri Khalighi:

and I sat with it enough and listened. It's like, it's almost

Keri Khalighi:

like, oh, you know who talks about this beautifully? Is

Keri Khalighi:

Rilke. And there's this quote he says about, oh, I beg you to

Keri Khalighi:

have patience with everything unresolved in your heart. Treat

Keri Khalighi:

them. What does he say? Treat them like locked rooms or books

Keri Khalighi:

written in a foreign language that you can't understand yet,

Keri Khalighi:

because it's really yours to live into the question, live the

Keri Khalighi:

questions themselves. And I'm butchering this quote, but it's

Keri Khalighi:

something like that, and it truly is. It's like a language,

Keri Khalighi:

a foreign language.

Keri Khalighi:

So just like

Keri Khalighi:

you know, I learned French in middle school, and I didn't

Keri Khalighi:

practice it much, and I can barely speak it now. So it's

Keri Khalighi:

that use it or lose it thing. I say this often, when I work with

Keri Khalighi:

women and learning the language of their bodies, it's like

Keri Khalighi:

learning a foreign language. The more you listen and give it

Keri Khalighi:

attention and practice it, it you become fluent. So likewise,

Keri Khalighi:

I trust if I, if I listen to this, this unknown language of

Keri Khalighi:

what's evolving and what's next, similar to how I listen to the

Keri Khalighi:

tea and what it wants to weave itself into the somatics, I

Keri Khalighi:

guess we'll, we'll see what there is to come.

Tess Masters:

Yeah, yeah. And allowing such an exercise,

Tess Masters:

allowing, allowing, which I struggle with on a daily basis,

Tess Masters:

I have to mindfully put myself in that place for sure you were

Tess Masters:

speaking about being called to share what you need. What is

Tess Masters:

something that you need right now that is escaping you, that

Tess Masters:

you're going to be inviting in. Is there something right now?

Tess Masters:

Well,

Keri Khalighi:

since I was little, since the since the

Keri Khalighi:

time, way, way back when I was a little girl, and all I ever

Keri Khalighi:

knew. I wanted to be was a mother.

Keri Khalighi:

I also had this vision.

Keri Khalighi:

Had this vision that would come up and when I was in need and in

Keri Khalighi:

an emotional need, and I would have this vision, this this

Keri Khalighi:

desire, this fantasy of having this this big in my vision, she

Keri Khalighi:

was a big, black, round mama, and I would go and I would lay

Keri Khalighi:

in her lap, and just she was just soft and ample, and I would

Keri Khalighi:

just lay in her lap, and she would just embrace me and stroke

Keri Khalighi:

my hair. And there was almost this, this sense of she could

Keri Khalighi:

hold whatever I brought, and it was just this sense of it's

Keri Khalighi:

going to be okay, baby. And I've always needed that. I've always

Keri Khalighi:

wanted that and and I still do. I still want that ex. I would

Keri Khalighi:

love to have that experience of that holding. And for me now, I

Keri Khalighi:

see her as a, she's a she's she's an elder, she's a mentor.

Keri Khalighi:

She's somebody who's who's walked a couple steps beyond me.

Keri Khalighi:

She's somebody who has touched deep, deep grief in motherhood.

Keri Khalighi:

So that is what I dream about and need. I want to be held by

Keri Khalighi:

an elder woman

Keri Khalighi:

who has been through it and still dances in the light

Keri Khalighi:

and I and I sense I am, that I am also

Keri Khalighi:

that to other women,

Tess Masters:

yes, you are.

Keri Khalighi:

But I really want that too. I've been calling her

Keri Khalighi:

in for a while.

Keri Khalighi:

I want to just rest in her lap?

Tess Masters:

Oh, I cannot wait to hear about that when she

Tess Masters:

arrives, because you are calling her in now, I always close every

Tess Masters:

episode with the same question, and really, as I was listening

Tess Masters:

to you, you answered it somewhat when we were just speaking

Tess Masters:

earlier about calling things in but for somebody who has a dream

Tess Masters:

in their heart, which is all of us, and doesn't feel like they

Tess Masters:

have what it takes to make it happen, what would you say to

Tess Masters:

them?

Keri Khalighi:

Oh,

Keri Khalighi:

gosh. First of all, like, what, what a, what a human thing to

Keri Khalighi:

feel.

Keri Khalighi:

And,

Keri Khalighi:

gosh, do I get it. And, you know, I still, I still grapple

Keri Khalighi:

with it. I grapple with it every time, not on one, not when I

Keri Khalighi:

work with someone, one on one, that's a very different animal

Keri Khalighi:

for me. But when I, when I create any other offering,

Keri Khalighi:

whether it's a circle or an event, like I did yesterday, and

Keri Khalighi:

it also doesn't happen with tea. But I'm digressing. My point is

Keri Khalighi:

it still happens to me years and decades later that that piece,

Keri Khalighi:

that self doubt piece, and what, when it comes up, what I

Keri Khalighi:

recognize is it's a self it's when I'm self referencing, and

Keri Khalighi:

my remedy for that is to remember something greater,

Keri Khalighi:

remembering my why? Why am I doing this? Why does it matter?

Keri Khalighi:

What is? What do I serve, and who do I serve, and letting that

Keri Khalighi:

be the only thing that matters, and being willing to, being

Keri Khalighi:

willing to not get it right, being willing to be judged,

Keri Khalighi:

being willing to have it be messy, have it be inarticulate,

Keri Khalighi:

have it flop. If it needs to, like, give your imperfect your

Keri Khalighi:

imperfect offering. And for me, it's, it's it's just

Keri Khalighi:

remembering, like I'm serving something greater than me, and

Keri Khalighi:

that is, that is really life itself as it, as it moves

Keri Khalighi:

through each of us. And May, May, May people, may women,

Keri Khalighi:

touch that place, remember that place in themselves. So it's not

Keri Khalighi:

and that can come through many different means. And it doesn't

Keri Khalighi:

have to be

Keri Khalighi:

perfect, polished. It

Keri Khalighi:

can be really simple. So it really is that switch from like,

Keri Khalighi:

from the me place to that greater field, and being willing

Keri Khalighi:

to being willing to look like a fool. And that is no small

Keri Khalighi:

that's no small ask, being able to tolerate, even just stuff on

Keri Khalighi:

a nervous system level, level, being able to tolerate all that

Keri Khalighi:

comes up when. We're putting ourselves in the position to

Keri Khalighi:

look like a fool, to crash and burn, to be judged like we're

Keri Khalighi:

we're wired for belonging, and to put yourself in that

Keri Khalighi:

position, it's a big ask.

Keri Khalighi:

So

Tess Masters:

I just love sharing your imperfect offering.

Tess Masters:

Thank you for this beautiful conversation and for holding

Tess Masters:

space with me.

Unknown:

Thank you.