July 31, 2025

Lessons From The Moon: Be Whole in Every Phase | 065

Lessons From The Moon: Be Whole in Every Phase | 065

Somatic educator Elizabeth Jurgensen shares her interpretation of Native American moon teachings about patience and quality of life. Through the lens of her personal story, she walks us through the lessons we can glean from lunar cycles.   

In midlife, a car accident left her navigating menopause with serious physical injuries. Confronted by her inability to work and further her career as an educator, she found wisdom in the Grandmother Moon teaching. This tradition prompted a reexamination of Elizabeth’s beliefs about success, productivity, and purpose, and illuminated the traps of internalized capitalism.   

In our conversation, we explore the moon as a mirror for feminine growth—the quiet power of the dark phase, the discovery and discernment of waxing energy, the brilliance and weight of fullness, and the necessary softening, reflection, and integration of waning back to the new moon.  

Elizabeth invites us to embrace the contentment, trust, and pace of the moon—the slow and steady filling and emptying that allows us to savor every phase of the journey. Follow the moon’s lead, she says. Welcome change, bask in the dark and light of the moment, and celebrate the possibilities that come with each state.  

The moon reminds us that we are whole at every phase. We’re only seeing a sliver of the story. There’s more to come.  

TESS’S TAKEAWAYS 

  • The moon gives us holistic perspectives on time and productivity.  
  • Constantly moving and changing, the moon shows beauty in change.  
  • The dark phase offers time to rest, ground, reflect, and recharge.  
  • Waxing is an opportunity to check in and explore alternate possibilities. 
  • The moon moves steadily to full. Embrace the slow and rhythmic reveal.  
  • The temporary intensity of fullness offers growth and then clarity.  
  • Rather than crashing from a high, waning invites us to savor, integrate, and celebrate.  
  • Wanting more is not to be exiled. It’s an energy that carries us. 

ABOUT ELIZABETH JURGENSEN 

With a thirst for learning and achieving, Elizabeth has had multiple careers applying herself to education, research, and disciplined practice.   

Her post-college years were focused on the performing arts, as an actress and dancer. Moving to the corporate world, she got a business degree and worked in finance. Her next pivot was to work as a fitness instructor and wellness coach.   

Discovering her love for academics, she went back to school, getting a Master’s degree in a new field and teaching college students.  

Debilitating injuries from a car accident and ten years’ rehabilitation, made her work impossible, and brought Elizabeth to the next major phase of her life. She embraced somatics, exploring trauma healing, relational dynamics, and embodied awareness.  

The values of slowing down and turning inward, and the gifts of deep presence and self-care became central to her philosophy. She pursues them as ends in themselves, not toward goal-oriented pursuits, nor in a commercial practice.    

A certified somatic educator, Elizabeth integrates insights from ancient archetypes, women’s wisdom traditions, and the interplay of masculine and feminine energies. She shares what she knows in adaptive and informal ways to guide others. 

 


MEET TESS MASTERS:   

Tess Masters is an actor, presenter, health coach, cook, and author of The Blender Girl, The Blender Girl Smoothies, and The Perfect Blend, published by Penguin Random House. She is also the creator of the Skinny60® health programs.       

Health tips and recipes by Tess have been featured in the LA Times, Washington Post, InStyle, Prevention, Shape, Glamour, Real Simple, Yoga Journal, Yahoo Health, Hallmark Channel, The Today Show, and many others.    

Tess’s magnetic personality, infectious enthusiasm, and down-to-earth approach have made her a go-to personality for people of all dietary stripes who share her conviction that healthy living can be easy and fun. Get delicious recipes at TheBlenderGirl.com.    

 

CONNECT WITH TESS:  

Website:  https://tessmasters.com/     

Podcast:  https://ithastobeme.com/      

Health Programs: https://www.skinny60.com/  

Delicious Recipes: https://www.theblendergirl.com/  

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Tess Masters:

Oh, Elizabeth, I am so excited to have this

Tess Masters:

conversation with you about the moon and what she has taught you

Tess Masters:

and what you're learning as an older woman.

Tess Masters:

We start with the prayer that you like to share.

Elizabeth Jurgensen:

I would love to start with prayer. And

Elizabeth Jurgensen:

the first thing I want to say is, this

Elizabeth Jurgensen:

is a Native American teaching, and there's different versions

Elizabeth Jurgensen:

of it, you know, depending on the place in the country that

Elizabeth Jurgensen:

you're in. But the gist of it is, is that grandmother Moon

Elizabeth Jurgensen:

teaches us quality of life, because when she's empty, she

Elizabeth Jurgensen:

fills, and when she's full she empties. And within that

Elizabeth Jurgensen:

quality, that that paradigm is the concept of enough, that we

Elizabeth Jurgensen:

have enough, and that we will always have enough, and that's

Elizabeth Jurgensen:

what actually creates quality of life, that way of of being

Elizabeth Jurgensen:

content and with also trusting that we will wax, we will wane.

Elizabeth Jurgensen:

We will be full, we will be at the dark times, but the cycle is

Elizabeth Jurgensen:

never ending. We don't have to worry that we will get stuck in

Elizabeth Jurgensen:

a particular place. And what I find so comforting is when I go

Elizabeth Jurgensen:

outside at night and I just look at the moon, it reminds me it's

Elizabeth Jurgensen:

constantly moving. It's constantly changing. It's a

Elizabeth Jurgensen:

little bit different every single night. And that reminds

Elizabeth Jurgensen:

me, nothing stays the same. So I don't have to get all twisted

Elizabeth Jurgensen:

about where I am right now. And ask yourself, when we think

Elizabeth Jurgensen:

about quality, do we ever look at the moon and say, Oh, she's

Elizabeth Jurgensen:

not so beautiful tonight? Yes, I think that was one of the

Elizabeth Jurgensen:

biggest lessons I took away from the moon teaching, because in

Elizabeth Jurgensen:

our culture, we focus on the bigness and the brightness, what

Elizabeth Jurgensen:

I would call the fullness of the moon. But I know I never go out

Elizabeth Jurgensen:

at night and say, Oh, it's only a crescent moon. She's not

Elizabeth Jurgensen:

enough. I've never in my life said that. I've always said

Elizabeth Jurgensen:

she's beautiful, right where she is,

Tess Masters:

yes,

Elizabeth Jurgensen:

and that's about the contentment and about

Elizabeth Jurgensen:

the trust. And I guess what I'll just start with is is, as you

Elizabeth Jurgensen:

know, the last oh, what would I say? Decade plus of my life has

Elizabeth Jurgensen:

really been a challenge, and that's why this teaching has

Elizabeth Jurgensen:

kind of helped anchor me, because I had to completely

Elizabeth Jurgensen:

reorient my relationship to time, my relationship to

Elizabeth Jurgensen:

success, my relationship to achievement, all of that within

Elizabeth Jurgensen:

the last decade, and that coincided with going through

Elizabeth Jurgensen:

menopause, and I didn't have a lot of psycho spiritual support,

Elizabeth Jurgensen:

you know, with within that. But I did have this teaching. I did

Elizabeth Jurgensen:

have this particular teaching that I got from a friend of mine

Elizabeth Jurgensen:

who is what is very grounded in Native American teaching and

Elizabeth Jurgensen:

spiritual understandings, and it's something that I would just

Elizabeth Jurgensen:

say I hold onto, because it creates trust for me, it creates

Elizabeth Jurgensen:

trust, because no matter what phase of the moon is happening

Elizabeth Jurgensen:

at the moment, it's going to change so I'm not stuck. It's

Elizabeth Jurgensen:

always going to be beautiful, right where I am, even if it

Elizabeth Jurgensen:

feels hard, and I will always get another chance.

Tess Masters:

Oh, that's an important thing, isn't it? Yeah,

Tess Masters:

yeah.

Elizabeth Jurgensen:

Because we tend to get in our culture, we

Elizabeth Jurgensen:

tend to get really caught up in I have to do the thing now, or I

Elizabeth Jurgensen:

have to achieve the thing soon, because I'm not going to get

Elizabeth Jurgensen:

another chance. But if you think about it, the moon goes through

Elizabeth Jurgensen:

a full cycle every 29 and a half days, and so in 29 every 29 and

Elizabeth Jurgensen:

a half days, she is big and bright and beautiful and just

Elizabeth Jurgensen:

full full full full full and it comes around every single month,

Tess Masters:

as it does for women, whether you're

Tess Masters:

menstruating or not.

Elizabeth Jurgensen:

Yes, we we know that in our bodies, we have

Elizabeth Jurgensen:

a just an automatic. Connection to that cyclical nature. And so

Elizabeth Jurgensen:

I'll just back up a minute for everybody, everybody listening,

Elizabeth Jurgensen:

and you know you, Tess, I just want to acknowledge what a

Elizabeth Jurgensen:

beautiful presence in my life you have been and a support as

Elizabeth Jurgensen:

I've gone through this. But I had just started. This was back

Elizabeth Jurgensen:

in 2013 I had just finished an advanced degree. I had gotten a

Elizabeth Jurgensen:

job in the field that I was so excited about in academia. I had

Elizabeth Jurgensen:

research that I was doing, I had a book that I was going to

Elizabeth Jurgensen:

publish. I was teaching at a university that I loved. This

Elizabeth Jurgensen:

whole new career was opening up, and it felt like this is the

Elizabeth Jurgensen:

career I've been meant to have my whole life. Yes, and I was

Elizabeth Jurgensen:

already 50, I'd had actually several careers before, but this

Elizabeth Jurgensen:

was the one that felt the most like me, the most like this is

Elizabeth Jurgensen:

where I belong. And then I was in a car accident, and it was a

Elizabeth Jurgensen:

really bad car accident did a lot of a lot of physical damage,

Elizabeth Jurgensen:

and the reckoning that I had to go through with that car

Elizabeth Jurgensen:

accident is what brought me to this teaching and has completely

Elizabeth Jurgensen:

reoriented my way of looking at who am I now at this phase in my

Elizabeth Jurgensen:

life.

Tess Masters:

Yeah, I remember the accident. I remember how

Tess Masters:

happy you were in that teaching job because you are a born

Tess Masters:

teacher, and you're still teaching, and you will always be

Tess Masters:

teaching as you are now. And that was a huge trauma, a huge

Tess Masters:

loss, a huge moment of grief for you. So what was it in you that

Tess Masters:

allowed this teaching in when it was presented to you, because

Tess Masters:

that was a choice. It was a choice to let it in. It was a

Tess Masters:

choice to embrace this perspective and this way of

Tess Masters:

moving through this new chapter. You could have stayed in another

Tess Masters:

place of grief and denial and anger and all the things, but

Tess Masters:

you chose to really step into this. So can you pinpoint that

Tess Masters:

moment where it just really resonated for you, when this was

Tess Masters:

presented to you?

Elizabeth Jurgensen:

Well, I've known this teaching for a long

Elizabeth Jurgensen:

time. Actually, it's but, yeah, there was actually a very

Elizabeth Jurgensen:

specific moment with another woman. I think I want to say it

Elizabeth Jurgensen:

was, maybe might even been three or four years after the

Elizabeth Jurgensen:

accident, because I did continue teaching. I did continue working

Elizabeth Jurgensen:

for a couple more years, and my body just couldn't do it. It

Elizabeth Jurgensen:

just couldn't do it. I was in too much pain, and I knew that I

Elizabeth Jurgensen:

couldn't be the teacher, the academic, the writer, that I

Elizabeth Jurgensen:

really wanted to be, and that I needed to step back and just

Elizabeth Jurgensen:

literally take care of my health and and take care of my body.

Elizabeth Jurgensen:

And I remember, I was sitting with a woman who actually is

Elizabeth Jurgensen:

much younger than me. She's She would be now, she's at least a

Elizabeth Jurgensen:

couple decades younger than me, but she was, she was visiting my

Elizabeth Jurgensen:

husband and I at our home, and she herself was really

Elizabeth Jurgensen:

struggling. She had just let go of a business that she had

Elizabeth Jurgensen:

started in a really good way. She had sold it to someone that

Elizabeth Jurgensen:

she felt good about it, but she was sitting there going, I don't

Elizabeth Jurgensen:

know what's next. What do I do now? And she was in this real

Elizabeth Jurgensen:

anxiety about not knowing what was next, and what should she

Elizabeth Jurgensen:

be, and what should she do. And I just remember, you know how

Elizabeth Jurgensen:

sometimes we just get downloads from the universe. I don't know

Elizabeth Jurgensen:

where they come from, but I was just sitting there, and I went,

Elizabeth Jurgensen:

I actually said this to her. I said, You are me. You are a

Elizabeth Jurgensen:

younger me. And I said, Let's just really sit quietly with

Elizabeth Jurgensen:

this for a minute and take a look at why we get so anxious

Elizabeth Jurgensen:

when we're in between, when we don't have a project, when we're

Elizabeth Jurgensen:

not achieving when, and particularly when there's an

Elizabeth Jurgensen:

unknown, when we don't know what's next.

Unknown:

And you know, I am terrible with that, you

Elizabeth Jurgensen:

and I have done the same thing, where we've

Elizabeth Jurgensen:

sat and you've and you've just been like, Elizabeth, I don't

Elizabeth Jurgensen:

know what am I doing, or you said, I want more. I want more.

Elizabeth Jurgensen:

I want more.

Tess Masters:

Concept of enough. When you were saying that

Tess Masters:

before, I was having a visceral reaction to that, going, oh

Tess Masters:

gosh, that's a daily, hourly by second by second practice for

Tess Masters:

me.

Elizabeth Jurgensen:

And so I in that moment, sitting there, what

Elizabeth Jurgensen:

I. Realized, I don't even know why this teaching popped into my

Elizabeth Jurgensen:

head, but I realized we were both sitting in the Dark of the

Elizabeth Jurgensen:

Moon. Yes, we were both sitting in the dark time when you can't

Elizabeth Jurgensen:

comfortably, right, right? We know she's there, but we can't

Elizabeth Jurgensen:

see her. And we live in a culture. We live in a post

Elizabeth Jurgensen:

modern, capitalistic culture that worships achievement,

Elizabeth Jurgensen:

money, fame. Why do so many teenagers want to grow up to be

Elizabeth Jurgensen:

an influencer? You know, that's just that's the epitome of the

Elizabeth Jurgensen:

culture that we live in. And she and I were really at the effect

Elizabeth Jurgensen:

of that I'm nothing if I'm not doing something or if, and even

Elizabeth Jurgensen:

worse, I don't even have a plan for what I'm going to be doing,

Elizabeth Jurgensen:

you know? And what we realized in that moment both of us, was

Elizabeth Jurgensen:

we actually got a real insight into who we were as people, and

Elizabeth Jurgensen:

what I noticed was that if I allow myself to sit in that dark

Elizabeth Jurgensen:

phase, the Dark of the Moon Phase, I am not a person that

Elizabeth Jurgensen:

creates out of nothing, like there are plenty of people that

Elizabeth Jurgensen:

are just bursting with ideas that they can just, you know,

Elizabeth Jurgensen:

something is born out of whole cloth. That's not me. I tend to

Elizabeth Jurgensen:

be somebody who looks around and then chooses something that I'm

Elizabeth Jurgensen:

going to follow. And what I realized is that's what the dark

Elizabeth Jurgensen:

time of the moon is for, yes, and if I sit in anxiety, and I'm

Elizabeth Jurgensen:

sitting there beating myself up that I don't know what I'm

Elizabeth Jurgensen:

doing, like I was sitting there going, when is my body going to

Elizabeth Jurgensen:

heal? When am I going to feel better? When am I going to be

Elizabeth Jurgensen:

able to get back to the career that I lost? You know, When?

Elizabeth Jurgensen:

When? When? When? Instead of taking it as an opportunity to

Elizabeth Jurgensen:

be, to just be sort of like, let me just rest here and take a

Elizabeth Jurgensen:

look around. And what she and I both realized is because we are

Elizabeth Jurgensen:

people that are really good at noticing what would be a really

Elizabeth Jurgensen:

great something for us to hitch our wagon to. And when I had

Elizabeth Jurgensen:

that insight, I thought, oh, then I'm a person that really

Elizabeth Jurgensen:

needs this dark time. I need this slow time. I need this rest

Elizabeth Jurgensen:

time. Because here's another thing that I saw about myself

Elizabeth Jurgensen:

through listening to her was that once I do decide this is

Elizabeth Jurgensen:

the thing that I'm going for, I go all the way I'm going to go

Elizabeth Jurgensen:

back to school and get the degree I'm going to or the

Elizabeth Jurgensen:

certification. I'm going to get really well trained and well

Elizabeth Jurgensen:

versed in it, and I'm going to find a job, or I'm going to

Elizabeth Jurgensen:

create a job that just really gets in there and makes a huge

Elizabeth Jurgensen:

career or success out of it. And I do that with projects too,

Elizabeth Jurgensen:

even even personal projects, but it takes me a little while to

Elizabeth Jurgensen:

find the thing, and I realized I can't be discerning about that

Elizabeth Jurgensen:

unless I give myself that grace of sitting in the quiet, sitting

Elizabeth Jurgensen:

in the dark and just looking around,

Tess Masters:

and that is challenging. I know, for

Tess Masters:

somebody like me and you and I have spoken about this, that I

Tess Masters:

see the dark moon as nothingness, as Yes, as

Tess Masters:

emptiness, as failure as inaction. I mean, you know,

Tess Masters:

there's all these things that I attach to that place, and I want

Tess Masters:

to

Elizabeth Jurgensen:

exile that place. So it's uncomfortable.

Tess Masters:

It's so uncomfortable because, you're

Tess Masters:

right, we have this, this desire to be seen, to be successful, to

Tess Masters:

be doing something. So what would you say to someone

Tess Masters:

listening right now, who's going, Yep, that's me. Yeah,

Tess Masters:

yeah. How do you consciously remind yourself of the value of

Tess Masters:

the dark moon phase.

Elizabeth Jurgensen:

Well, it helps me when I remind myself

Elizabeth Jurgensen:

that the moon is still there. I just can't see her. It's the

Elizabeth Jurgensen:

only reason I can't see her is because of the way she's

Elizabeth Jurgensen:

orbiting around the Earth. At the moment, she's just in

Elizabeth Jurgensen:

shadow. It's not that she's gone, and that's the myth that

Elizabeth Jurgensen:

we have told ourselves. Is because she's that we can't see

Elizabeth Jurgensen:

her, that she must be gone. It's, it's, it's a void, and

Elizabeth Jurgensen:

she's never coming

Tess Masters:

back right. Opportunities, never coming

Tess Masters:

back. The person's never coming back the right. Love, right

Tess Masters:

connection the

Elizabeth Jurgensen:

I never or the or, you know, like in my

Elizabeth Jurgensen:

fallow time when I was healing my body and dealing with all the

Elizabeth Jurgensen:

aftermath of of this horrible car accident and trying to

Elizabeth Jurgensen:

figure out, you know, where do I go from here in the new body

Elizabeth Jurgensen:

that I have? I have a new I have a menopausal body that has now

Elizabeth Jurgensen:

been injured in a way that's left me with some, you know,

Elizabeth Jurgensen:

some minor disabilities, and things were shifting in my

Elizabeth Jurgensen:

marriage, and we had moved a couple of years before, and

Elizabeth Jurgensen:

there were just so many things that just kind of needed to

Elizabeth Jurgensen:

settle, and I wasn't allowing things to just settle, and

Elizabeth Jurgensen:

that's what the Dark Of The Moon is for. Let it just settle. Just

Elizabeth Jurgensen:

rest. Rest is medicine, and again, that's another thing in

Elizabeth Jurgensen:

our culture, rest is seen as a waste of time. We brag about

Elizabeth Jurgensen:

how, yes, there's a bazillion articles all the time about how

Elizabeth Jurgensen:

to get more sleep, how to get better sleep, but really we're

Elizabeth Jurgensen:

proud of how sleep, Western culture

Tess Masters:

seen as a proactive activity. Yes,

Tess Masters:

exactly. That's kind of a means to an end.

Elizabeth Jurgensen:

It is I need to get rested so that I can

Elizabeth Jurgensen:

go out in the world and suit be a super achiever and do all the

Elizabeth Jurgensen:

things. And by the way, what I'm talking about this focus on

Elizabeth Jurgensen:

achievement and constant motion and fame and all the things that

Elizabeth Jurgensen:

go into it. It's called internalized capitalism. We've

Elizabeth Jurgensen:

taken an outward system and we've internalized it to the

Elizabeth Jurgensen:

degree that we think this is who I am, and this is the way I'm

Elizabeth Jurgensen:

supposed to be, when this is actually a culture that has been

Elizabeth Jurgensen:

taught to us and there's an agenda behind this culture.

Elizabeth Jurgensen:

Because, of course, the harder we work, the more we produce for

Elizabeth Jurgensen:

the people who make all the money and own all the

Elizabeth Jurgensen:

businesses, and you know all of that. And even if you're a

Elizabeth Jurgensen:

business owner yourself, as you are, as I was at one time,

Elizabeth Jurgensen:

there's still that hustle mindset of, I can't stop for a

Elizabeth Jurgensen:

moment. I cannot stop for a moment, or I'm going to slide

Elizabeth Jurgensen:

backwards.

Tess Masters:

So what do you do in those moments where you catch

Tess Masters:

yourself in that net of internalized capitalism? As a

Tess Masters:

somatic practitioner, someone who is constantly reminding

Tess Masters:

yourself to be in your body in experience. What can you give us

Tess Masters:

to remind ourselves? Oh, it's okay to enjoy the dark moon. The

Tess Masters:

rest

Elizabeth Jurgensen:

well, the first thing I do is I, usually,

Elizabeth Jurgensen:

I usually have to giggle at myself a little bit because I'm,

Elizabeth Jurgensen:

I'm able now, and I'm able now in a way that I wasn't in the

Elizabeth Jurgensen:

past to recognize, oh, that's the narrative that's running.

Elizabeth Jurgensen:

Yes, I'm, I'm at the effect of internalized capitalism right

Elizabeth Jurgensen:

now. And so I can have a little laugh at myself, which actually

Elizabeth Jurgensen:

right there that softens it a little bit. Yes, and a practice

Elizabeth Jurgensen:

that I I really love, is just sitting, closing my eyes and

Elizabeth Jurgensen:

just saying to my or asking my body, what are you feeling right

Elizabeth Jurgensen:

now? What are the sensations right now that are going on? Is

Elizabeth Jurgensen:

there like a tight stomach or it? Or is my throat feeling

Elizabeth Jurgensen:

constricted, or is there a swirly feeling in my solar

Elizabeth Jurgensen:

plexus? Are my legs feeling jittery in some way, just

Elizabeth Jurgensen:

noticing what is showing up in my actual physical body, because

Elizabeth Jurgensen:

that energy is a manifestation of my thoughts and feelings, and

Elizabeth Jurgensen:

just allowing that to be there, and just breathing with it, and

Elizabeth Jurgensen:

being able to say, Oh yeah, there's that, that weird swirl I

Elizabeth Jurgensen:

get right in my Solar Plexus. And you know, if I put my hand

Elizabeth Jurgensen:

there and I just breathe into it and just allow it, just allow

Elizabeth Jurgensen:

it. Because, like you said, the dark time or the fallow time,

Elizabeth Jurgensen:

when we're in between, or we don't know what's going to

Elizabeth Jurgensen:

happen next, or we're trying to figure out where we should go,

Elizabeth Jurgensen:

we see that as a void, and we see it as passive, but it's,

Elizabeth Jurgensen:

it's actually got its own energy.

Tess Masters:

It and it's an engine. It is. It has. It has

Tess Masters:

that quality, if you allow yourself to yes, that

Elizabeth Jurgensen:

way, and that will show up in your body.

Elizabeth Jurgensen:

If you pay attention, you will feel whatever energy is. Is

Elizabeth Jurgensen:

moving around in your body, even when you are feeling at that

Elizabeth Jurgensen:

effect of you know, anxiety is going to show up in your body.

Elizabeth Jurgensen:

Anxiety, fear, concern, all of that, it is going to show up in

Elizabeth Jurgensen:

your body. Most people say you have things like, my throat

Elizabeth Jurgensen:

feels tight, my stomach feels upset. But sometimes it's even

Elizabeth Jurgensen:

really subtle. Sometimes it's like I was saying, like, I

Elizabeth Jurgensen:

notice I do a lot of like, clenching and unclenching my

Elizabeth Jurgensen:

hands when I'm anxious, yeah? And I never noticed that until I

Elizabeth Jurgensen:

started really paying attention to I stopped eating. I stopped

Elizabeth Jurgensen:

breathing. I do too. I'm a breath

Tess Masters:

holder for sure, yeah, remind myself breathe.

Tess Masters:

Take a breath. Yeah, I just stop breathing, yeah.

Elizabeth Jurgensen:

And I find that just acknowledging and

Elizabeth Jurgensen:

allowing whatever I'm feeling in my body, also just noticing

Elizabeth Jurgensen:

what's the quality of my mind right now. Is it racing? Does

Elizabeth Jurgensen:

it, do I feel kind of numb and foggy? Am I? Are my thoughts,

Elizabeth Jurgensen:

you know? Or are they roaring and rushing like a stream, like

Elizabeth Jurgensen:

even that? And it kind of gets me out of my head, because I'm

Elizabeth Jurgensen:

on now paying attention to what's the quality of my mind,

Elizabeth Jurgensen:

not the particular thoughts, but what's the quality, what's the

Elizabeth Jurgensen:

tone of them, what's the texture?

Tess Masters:

Noticing, not a yes, just

Elizabeth Jurgensen:

a gentle, a gentle, just noticing and an

Elizabeth Jurgensen:

allowing and an acknowledging. That's the beautiful work you

Elizabeth Jurgensen:

can do during the dark time, because it's also cleansing.

Elizabeth Jurgensen:

It's also a way to go. What, what has been going on with me?

Elizabeth Jurgensen:

Because I know if I've been really, really busy, I can get

Elizabeth Jurgensen:

disconnected from my body, my thoughts, my feelings. And it's

Elizabeth Jurgensen:

only in the quieter time, in the dark, time in the fallow time

Elizabeth Jurgensen:

that I have the space Yeah, pay attention and to recharge. Yes,

Tess Masters:

because otherwise you burst, and you really taught

Tess Masters:

me that through our conversations about this in the

Tess Masters:

past, yes, yes, but I am an introvert that presents as an

Tess Masters:

extrovert. I don't recharge from other people. I recharge on my

Tess Masters:

own, and I'm exactly the same. Yeah, that dark moon is my

Tess Masters:

recharging, my refueling, my my regrouping, my catching up time.

Elizabeth Jurgensen:

Yes, catching up, I love that. It's

Elizabeth Jurgensen:

also a catching up. It's a catching up with yourself,

Tess Masters:

yes, and thank you for helping me see that in my

Tess Masters:

life, because I wasn't valuing that. That was time well spent,

Tess Masters:

yeah,

Elizabeth Jurgensen:

yeah, and I wasn't either. And it's so

Elizabeth Jurgensen:

ironic, because I was forced to be in a very prolonged, like,

Elizabeth Jurgensen:

years long, dark time like, Yeah, almost 10 years of healing

Elizabeth Jurgensen:

my body, you know, trying to figure out just my limits

Elizabeth Jurgensen:

physically. And, you know, I would do something and I'd have

Elizabeth Jurgensen:

a setback. I won't go into all that, but, but just the it was a

Elizabeth Jurgensen:

very prolonged dark time, and then put menopause on top of

Elizabeth Jurgensen:

that, and the craziness of now, today, I feel this way.

Elizabeth Jurgensen:

Tomorrow, I feel this way. My hormones are all over the place.

Elizabeth Jurgensen:

I can't sleep. I feel like a 13 year old with my emotions. It

Elizabeth Jurgensen:

just felt, in fact, now that I look back on it, I'm actually so

Elizabeth Jurgensen:

grateful that I was able to recognize, oh, I'm in a dark

Elizabeth Jurgensen:

time, because there was actually a lot happening. It just wasn't

Elizabeth Jurgensen:

happening in what we value, which is the outside world,

Elizabeth Jurgensen:

outside achievement. And what I was able to see with sitting

Elizabeth Jurgensen:

with this woman who was basically completely me 20 years

Elizabeth Jurgensen:

but just 20 years younger, was that we cannot find our next

Elizabeth Jurgensen:

thing unless we go through that dark time. Yes, there has to be

Elizabeth Jurgensen:

a pause, especially for someone like me that needs that chance

Elizabeth Jurgensen:

to kind of, you know, scan the field and see what would be

Elizabeth Jurgensen:

really great to do next, knowing that I'm going to go all in on

Elizabeth Jurgensen:

it. And I did make some mistakes during that time, to the degree

Elizabeth Jurgensen:

I was able, I did take on some small volunteer opportunities. I

Elizabeth Jurgensen:

ended up being the chairperson of an organization, and I did

Elizabeth Jurgensen:

them because I felt like I should, like I should be doing

Elizabeth Jurgensen:

something. It's not enough to just be home and be quiet and

Elizabeth Jurgensen:

letting my body heal and figure and just sort of scanning the

Elizabeth Jurgensen:

horizon for what might pop up that might look interesting

Elizabeth Jurgensen:

next. I felt like, no, I need to get out there and create and do

Elizabeth Jurgensen:

at least a little something. And I ended up joining

Elizabeth Jurgensen:

organizations. That were not they were fine, but they weren't

Elizabeth Jurgensen:

deeply aligned. I remember,

Tess Masters:

and I remember when you gave yourself

Tess Masters:

permission to exit that I really loved what you were saying a

Tess Masters:

moment ago about it being a pause.

Elizabeth Jurgensen:

Yes, it's a pause, a sacred pause, a sacred

Elizabeth Jurgensen:

pause, and there's medicine in that quiet, that quiet space,

Elizabeth Jurgensen:

there's deep medicine. And we as a as a culture, have really

Elizabeth Jurgensen:

stepped away from that. We give lip service to rest, but it's

Elizabeth Jurgensen:

exactly what you said a minute ago, for the end result of then

Elizabeth Jurgensen:

going out there, and, you know, becoming full again,

Tess Masters:

being stronger and even better than you were

Tess Masters:

yesterday, and being able to do even more, and expanding your

Tess Masters:

capacity to the point that everyone would just be amazed at

Tess Masters:

how much you could achieve.

Elizabeth Jurgensen:

Exactly, yes, exactly it's it's like the

Elizabeth Jurgensen:

rest. The rest is only to be even bigger and better when you

Elizabeth Jurgensen:

when you re emerge from the Dark of the Moon. And so if you think

Elizabeth Jurgensen:

about it, that's not how the moon works. She comes out of the

Elizabeth Jurgensen:

dark, and she's just a little sliver. She doesn't burst out of

Elizabeth Jurgensen:

the dark and is immediately full and bright. She very gradually

Elizabeth Jurgensen:

emerges from that fallow, what we would call a fallow resting

Elizabeth Jurgensen:

phase. And it's a very gradual but steady. And that's one of

Elizabeth Jurgensen:

the things I love about the teaching, is it really taught me

Elizabeth Jurgensen:

to value the steadiness and the discipline of taking your time

Elizabeth Jurgensen:

getting to whatever the thing is that you hope will be full and

Elizabeth Jurgensen:

bright. Oh,

Tess Masters:

I love the word discipline within the context of

Tess Masters:

this conversation, because life is a practice and a discipline.

Tess Masters:

Yeah,

Elizabeth Jurgensen:

yeah. And you notice how the moon it's

Elizabeth Jurgensen:

she's just a little bit bigger and a little bit brighter each

Elizabeth Jurgensen:

night, but it's gradual, and she doesn't rush. And, like I was

Elizabeth Jurgensen:

saying, I'm not walking out there going, Oh, she's not big

Elizabeth Jurgensen:

enough yet. I think she's beautiful in every phase. Yes,

Elizabeth Jurgensen:

absolutely every phase. And so this what we call the waxing

Elizabeth Jurgensen:

phase, this deliberate, disciplined, slow growth. What I

Elizabeth Jurgensen:

saw about that, because, especially now, as I reflect

Elizabeth Jurgensen:

back and even in this conversation with you, I'm

Elizabeth Jurgensen:

reminded of how just even my recovery, my physical recovery

Elizabeth Jurgensen:

from that car accident, it's been a slow, steady, disciplined

Elizabeth Jurgensen:

I had to do all the things you know, physical therapy and I had

Elizabeth Jurgensen:

to do some somatic therapy around the trauma, the emotional

Elizabeth Jurgensen:

trauma from The accident. I had to do a lot of practices to stay

Elizabeth Jurgensen:

steadily on the path to recovery, and it was very slow,

Elizabeth Jurgensen:

very slow and very deliberate, and it was a discipline that I

Elizabeth Jurgensen:

had to give myself over to.

Tess Masters:

Yes, I love what you're saying about this. What's

Tess Masters:

coming up for me, as I'm listening to you about this

Tess Masters:

phase, this gradual, slow and steady. It's a really beautiful

Tess Masters:

phase, and invitation to check in with your capacity,

Elizabeth Jurgensen:

absolutely, absolutely. And it's also a

Elizabeth Jurgensen:

chance to check in with do I need to reorient? Do I need to

Elizabeth Jurgensen:

perhaps change a little bit in how I'm approaching this thing?

Elizabeth Jurgensen:

If we go too fast? That's kind of what happened with me. With

Elizabeth Jurgensen:

You know, I wasn't, I wasn't working for several years while

Elizabeth Jurgensen:

I was healing my body, but I felt like, oh my gosh, I need to

Elizabeth Jurgensen:

be doing something, because I'm I'm not. I don't have a purpose.

Elizabeth Jurgensen:

I'm not useful. I'm not a value. So I joined all these volunteer

Elizabeth Jurgensen:

organizations, chaired one of them, and sure enough, I made

Elizabeth Jurgensen:

mistakes, because I rushed in and said, Oh, I'll do that, or

Elizabeth Jurgensen:

I'll do that, or I'll take that position. And I couldn't always

Elizabeth Jurgensen:

come through as my best self, because I was it's still in a

Elizabeth Jurgensen:

certain like, my physical capacity wasn't always there, or

Elizabeth Jurgensen:

I didn't take the time to really suss out, in one instance, who

Elizabeth Jurgensen:

were the people that I was really going to be working with.

Elizabeth Jurgensen:

And it again, it turned out, okay, okay, in the end, but it

Elizabeth Jurgensen:

wasn't the the full experience that I would have really

Elizabeth Jurgensen:

enjoyed, because I didn't take my time.

Tess Masters:

Yeah, but what I'm hearing is I'm listening to you

Tess Masters:

is we're gonna make mistakes regardless of which phase we're

Tess Masters:

in, what speed we're going at, how many, how many. Skills we

Tess Masters:

have, and that's how we learn and grow. But what I love about

Tess Masters:

this teaching and being in this slow and steady phase is that

Tess Masters:

you allow yourself time to keep catching up with yourself, to

Tess Masters:

keep scanning, to keep readjusting, to keep

Tess Masters:

reorienting, and you have that time to keep deciding if you

Tess Masters:

want to keep staying in this testament

Elizabeth Jurgensen:

Exactly, and that's really key. You know,

Elizabeth Jurgensen:

in the context of the moon, of course, she's going to be full

Elizabeth Jurgensen:

at us at a certain point, but in the context of our life, not

Elizabeth Jurgensen:

everything is meant to come to fruition.

Tess Masters:

Oh, gosh, that's an really important point,

Tess Masters:

because we expect that it's supposed to, or we believe

Tess Masters:

that's that internalized capitalist again, that if you

Tess Masters:

study then it must be because you're going to do a career with

Tess Masters:

it, or you're going to make money. It can't just be for the

Tess Masters:

pure enjoyment of the discipline of learning and the fulfillment

Tess Masters:

of learning and growing and being in the process of study.

Tess Masters:

It has to be for something else,

Elizabeth Jurgensen:

exactly, exactly. And it became very

Elizabeth Jurgensen:

clear to me at a certain point, and I think you and I even had

Elizabeth Jurgensen:

to talk about this, that I even though I really did have, I

Elizabeth Jurgensen:

really had respect, like for the organizations that I was

Elizabeth Jurgensen:

volunteering for, it wasn't that I, it wasn't that I was just

Elizabeth Jurgensen:

grasping at anything. I mean, I did do some due diligence, but

Elizabeth Jurgensen:

my my fear of being nothing because I wasn't working and I

Elizabeth Jurgensen:

wasn't producing, I I just took what was in front of me without

Elizabeth Jurgensen:

a lot of discernment, and and then once I was in, I didn't

Elizabeth Jurgensen:

feel like, Ooh, I should back out, because now I've committed

Elizabeth Jurgensen:

where, if I'd gone a little bit slower, or maybe just done one

Elizabeth Jurgensen:

at a time, and let me, you know, let me, let me, let me volunteer

Elizabeth Jurgensen:

for like six months with an organization. Let's just even

Elizabeth Jurgensen:

feel how it feels to be a volunteer. But no, I took on

Elizabeth Jurgensen:

like five organizations.

Unknown:

I remember, I remember,

Tess Masters:

but the discernment piece that you're

Tess Masters:

bringing up is so key, and you helped me see this, that you can

Tess Masters:

have more discernment at the slow and steady pace.

Elizabeth Jurgensen:

You can because you're gonna you're

Elizabeth Jurgensen:

gonna have a chance because of the slow and steady pace, it

Elizabeth Jurgensen:

gives you a chance to us, like you said, assess as you go,

Elizabeth Jurgensen:

reset as you go, and it gives you a chance to back out if you

Elizabeth Jurgensen:

need to,

Tess Masters:

because you pay to back out, yes,

Elizabeth Jurgensen:

because, like I said, not everything is

Elizabeth Jurgensen:

going to turn into the full moon. Or the other thing that I

Elizabeth Jurgensen:

really learned is we tend to, in our capitalistic way of

Elizabeth Jurgensen:

thinking, that there's only one version of what

Tess Masters:

full is. Oh, that's an important point. Gosh,

Elizabeth Jurgensen:

but there may be many versions of what

Elizabeth Jurgensen:

full actually is. And what I've really been seeing, particularly

Elizabeth Jurgensen:

in the last few years, is that I may start that waxing journey

Elizabeth Jurgensen:

toward a particular something that I'm interested in or that I

Elizabeth Jurgensen:

hope to achieve, but it may change along the way, but if I

Elizabeth Jurgensen:

go too fast, I won't notice that there's an opportunity for

Elizabeth Jurgensen:

change and that, and it doesn't give me the chance to say, you

Elizabeth Jurgensen:

know, I think I'm going to change my version. I think I'm

Elizabeth Jurgensen:

going to tweak and I'm going to go toward this version of

Elizabeth Jurgensen:

fullness rather than the one that I started out with. And a

Elizabeth Jurgensen:

perfect example of that is when I did go back to school. I went

Elizabeth Jurgensen:

back to school in in my 40s for an advanced degree, and it

Elizabeth Jurgensen:

started to get a degree to teach high school. I was going to get

Elizabeth Jurgensen:

the state certification to teach high school. So I had to get a

Elizabeth Jurgensen:

degree. I had to I had to get another bachelor's. Because of

Elizabeth Jurgensen:

the bat, the two bachelors I had before didn't really count for

Elizabeth Jurgensen:

teaching subject matter in high school. So I started that. I

Elizabeth Jurgensen:

found a great program, started the program, and I just, I would

Elizabeth Jurgensen:

say, maybe a semester or two in. And this is the beauty of act of

Elizabeth Jurgensen:

taking classes, is you're kind of forced to go slow and steady,

Elizabeth Jurgensen:

because you can only you have to take the class, you have to do

Elizabeth Jurgensen:

the class, you have to finish the class before you can go on

Elizabeth Jurgensen:

to the next one. So it does give you some time. It's a nice

Elizabeth Jurgensen:

pacing. It gives you some time to assess how you're doing. And

Elizabeth Jurgensen:

I remember I had two professors tell me you shouldn't be

Elizabeth Jurgensen:

teaching high school, and I was devastated because I had been

Elizabeth Jurgensen:

substitute teaching in high school. For a few years, and I

Elizabeth Jurgensen:

loved it. I was like, This is what I meant to do. Yay. I found

Elizabeth Jurgensen:

my thing. And they said, No, you should consider getting a

Elizabeth Jurgensen:

master's degree, and you should teach at the college level. They

Elizabeth Jurgensen:

said, I think, I think we, they both told me, We think you'll

Elizabeth Jurgensen:

burn out at the high school level, that you'll that you'll

Elizabeth Jurgensen:

feel there's a freedom in teaching at the college level

Elizabeth Jurgensen:

that you don't have in K through 12. And they said, We think you

Elizabeth Jurgensen:

would really thrive there. What do you think? And I thought,

Elizabeth Jurgensen:

wow, but I never would have noticed that coming my way if I

Elizabeth Jurgensen:

was only focused on this is what my fullness is going to look

Elizabeth Jurgensen:

like. It's getting the high school it's getting the

Elizabeth Jurgensen:

bachelor's and the high school teaching degree. But because I

Elizabeth Jurgensen:

was kind of going slowly and steadily, and I had remained

Elizabeth Jurgensen:

really open to my professors and my colleagues who were also in

Elizabeth Jurgensen:

school and just taking feedback, I was really assessing as I was

Elizabeth Jurgensen:

going, I was really able to hear that. And I switched course and

Elizabeth Jurgensen:

entered the master's program, and I did end up teaching at the

Elizabeth Jurgensen:

college level, and they were right. I loved it. It felt more

Elizabeth Jurgensen:

like me than teaching at the high school level. So that's a

Elizabeth Jurgensen:

beautiful example of when we just slow and steady,

Elizabeth Jurgensen:

disciplined and be open to perhaps changing course a little

Elizabeth Jurgensen:

bit along the way. What could happen when we reach the full

Elizabeth Jurgensen:

phase,

Tess Masters:

yeah. And what's coming up for me as I'm talking

Tess Masters:

to you, is we're able to dwell in possibility, to be open to

Tess Masters:

all possibilities. Yeah. And you know, you and I've spoken about

Tess Masters:

this before, but I my natural depot position is to be tied to

Tess Masters:

one outcome and one outcome only, like you were talking

Tess Masters:

about,

Elizabeth Jurgensen:

right? And something that capitalism

Elizabeth Jurgensen:

teaches us this is this, or maybe there's more than one, but

Elizabeth Jurgensen:

there's a very limited range of acceptable outcomes that are

Elizabeth Jurgensen:

allowed, and so you have to pick one of one of those,

Tess Masters:

and that also comes from our family of origin,

Tess Masters:

too. Oh, sure, in family systems, there are a system of

Tess Masters:

rules in every family, and that's how we're conditioned to

Tess Masters:

then play out that set of rules as we continue to grow and go

Tess Masters:

out into the world, and then we have, you know, what you're

Tess Masters:

explaining is internalized capitalism into the mix as well.

Tess Masters:

And then the aperture continues to narrow unless exactly, keep

Tess Masters:

it open

Elizabeth Jurgensen:

Exactly, exactly. And that's why I so

Elizabeth Jurgensen:

love this idea of the moon just very slowly and steadily waxing

Elizabeth Jurgensen:

a little bit at a time. So as human beings, that gives us that

Elizabeth Jurgensen:

little bit of space to pause, to course correct, to reassess,

Elizabeth Jurgensen:

before we get in so deep that maybe we reach a fullness, and

Elizabeth Jurgensen:

we realize this isn't really what I wanted, that can happen

Elizabeth Jurgensen:

too,

Tess Masters:

yes, and that has happened many times to me as it

Tess Masters:

has to you. And yes, no, I'm sure you can relate to us.

Elizabeth Jurgensen:

Yeah, let's

Tess Masters:

talk about the full moon, because you really

Tess Masters:

helped me shift my perspective, or, as we've been saying, open

Tess Masters:

up what my view of it is and what it can look like. Because I

Tess Masters:

was only seeing it as full achievement, full joy, full and

Tess Masters:

you helped me see, well, Tess, it can also be full pain, full

Tess Masters:

drama, full Yes, explosive. Listen, if you are, what does

Tess Masters:

that feel like in your body? You said to me and and I'm gonna

Tess Masters:

burst, yeah, and you will if you stay there, because my natural

Tess Masters:

inclination is previously, until I had this initial conversation

Tess Masters:

with you and started really diving into this, that I was

Tess Masters:

only comfortable in full moon. Yeah, full full, full

Tess Masters:

achievement, achievement, success, success in the light,

Tess Masters:

in the light, you know, and, and that's exhausting.

Elizabeth Jurgensen:

It is exhausting, and it it also

Elizabeth Jurgensen:

doesn't allow room for anything else. I remember, I remember a

Elizabeth Jurgensen:

conversation you and I had where you were in so much distress

Elizabeth Jurgensen:

because you just wanted more, more more more more you. You

Elizabeth Jurgensen:

were, you were you were like, Elizabeth, I'm so full, but I

Elizabeth Jurgensen:

want to stay here, and I want more. And I said, and you will

Elizabeth Jurgensen:

blow up because you can't fit

Tess Masters:

anything. I anything, and I remember you

Tess Masters:

said to me,

Tess Masters:

so where's the room for the new then,

Elizabeth Jurgensen:

exactly, exactly, if we stay, if we stay

Elizabeth Jurgensen:

at that peak fullness, how is there room for anything else?

Elizabeth Jurgensen:

And how is there room for change or growth, or if, or if we're in

Elizabeth Jurgensen:

a real even if it's the most wonderful high achieving, like

Elizabeth Jurgensen:

where I was, I was just I was so happy I'd gotten the job of my

Elizabeth Jurgensen:

dreams. I'd, you know, I'd completed my career. I had a

Elizabeth Jurgensen:

book that I was working on all these things going on, there

Elizabeth Jurgensen:

wasn't room for anything more than that. And in some ways,

Elizabeth Jurgensen:

that car accident, in taking all of that away from me, it created

Elizabeth Jurgensen:

room for what the perspective that I have now, I never would

Elizabeth Jurgensen:

have gotten this perspective if I had continued on that path. I

Elizabeth Jurgensen:

never would have. It would have, and especially in academia,

Elizabeth Jurgensen:

where it's about continue to research, continue to publish,

Elizabeth Jurgensen:

continue to, you know, get a better job, get a better, higher

Elizabeth Jurgensen:

teaching position, your students should do better every semester.

Elizabeth Jurgensen:

Again, more, more, more, more. I would have just stayed on that

Elizabeth Jurgensen:

track until I probably burst until I that's what burnout

Elizabeth Jurgensen:

really is to me. Is it bursting? It's a bursting. We are holding

Elizabeth Jurgensen:

too much. We're too full,

Tess Masters:

yeah, but what's the beauty of the full moon?

Elizabeth Jurgensen:

Well, the beauty is that we get a chance

Elizabeth Jurgensen:

to shine our light on other people for one thing, and that

Elizabeth Jurgensen:

was something that came to me going back to that conversation

Elizabeth Jurgensen:

I was having with the woman who was younger than myself, when I

Elizabeth Jurgensen:

shared my insight with her about that we were the kind of people

Elizabeth Jurgensen:

that need this fallow time in order to discern what our next

Elizabeth Jurgensen:

move was, because we were probably going to pick from

Elizabeth Jurgensen:

something that was offered to us rather than generate it

Elizabeth Jurgensen:

ourselves. So we had to be very discerning among the offerings.

Elizabeth Jurgensen:

What were what were we going to take? When I shared that with

Elizabeth Jurgensen:

her, she said, it makes me cry. She said, I want to just come

Elizabeth Jurgensen:

sit at your feet and worship you as an elder, because that just

Elizabeth Jurgensen:

completely changed her perspective of who she was as a

Elizabeth Jurgensen:

person, and I was and I just thought, I have something to

Elizabeth Jurgensen:

offer that isn't an achievement,

Tess Masters:

but it is,

Elizabeth Jurgensen:

but it's not the kind of achievement like

Elizabeth Jurgensen:

look how much money I Make, or look at the job that I have, or

Elizabeth Jurgensen:

look at the product that I created that everybody wants, or

Elizabeth Jurgensen:

I'm the teacher that everybody wants to take the classes from.

Elizabeth Jurgensen:

It was literally just something that I came to an insight about

Elizabeth Jurgensen:

for myself and for her, and I found a way to share it in a way

Elizabeth Jurgensen:

that she could understand it.

Tess Masters:

But to me, the way that you've taught me about

Tess Masters:

this, that was you being in your full moon, yes, yes, and at the

Tess Masters:

same time, that's

Elizabeth Jurgensen:

what I mean by shining my light on somebody

Elizabeth Jurgensen:

else, absolutely.

Tess Masters:

And I mean, I think that's a really important

Tess Masters:

part of this conversation is that we're not only just in one

Tess Masters:

phase, just because we're cycling throughout the day of

Tess Masters:

rest and activity and waxing and waning, likewise, throughout the

Tess Masters:

month, in our own internal cycle, and then we are cycling

Tess Masters:

through these various cycles, and It could all be in one day.

Tess Masters:

We're not sitting in the one phase. So these epiphanies that

Tess Masters:

we have while we're sitting in this quietness, in the

Tess Masters:

stillness, either with ourselves or in conversation and

Tess Masters:

relationship with others, we then get these these openings

Tess Masters:

and these experiences within these other phases to remind us

Tess Masters:

the of our capacity to be all the

Elizabeth Jurgensen:

things exactly, exactly. And like I was

Elizabeth Jurgensen:

saying earlier, the fullness can look so many different ways. It

Elizabeth Jurgensen:

could be. It could be achieving a goal, or, you know, such as

Elizabeth Jurgensen:

getting the big job that we wanted, or making the amount of

Elizabeth Jurgensen:

money that we wanted, or, you know, buying the house that we

Elizabeth Jurgensen:

wanted, or getting the relationship that we wanted. It

Elizabeth Jurgensen:

could be something like that, something that we've been

Elizabeth Jurgensen:

reaching for, something that we've been grasping for. It

Elizabeth Jurgensen:

could also be internal work of say you've been in therapy for a

Elizabeth Jurgensen:

long time and you finally, finally, you have a breakthrough

Elizabeth Jurgensen:

on something that's a fullness, that's a fullness that serves

Elizabeth Jurgensen:

you.

Tess Masters:

We don't. So we can look fullness, do we? No,

Elizabeth Jurgensen:

we don't we? Again, we internalize

Elizabeth Jurgensen:

capitalism, right? We. Look we look at only outside

Elizabeth Jurgensen:

achievements, and especially achievements that can be noticed

Elizabeth Jurgensen:

by other people. We are so hooked into. Am I getting

Elizabeth Jurgensen:

noticed by other people? Am I getting approbation and

Elizabeth Jurgensen:

accolades from other people for what I've accomplished, because

Elizabeth Jurgensen:

what do we do when we see a full moon? Oh, my God, she's so

Elizabeth Jurgensen:

beautiful, she's so big, she's so bright. We praise her so

Elizabeth Jurgensen:

highly when she's at her peak.

Tess Masters:

Yes, and it's on the news, look at the full moon

Tess Masters:

right? Everybody's outside, only looking at the

Elizabeth Jurgensen:

right, right, right, exactly. And we

Elizabeth Jurgensen:

name, we name the full moons, the Wolf Moon, the super moon,

Elizabeth Jurgensen:

the hunter's moon, but we don't name, well, if you're in us, if

Elizabeth Jurgensen:

you're in the world of astrology or astronomy, yes, there are

Elizabeth Jurgensen:

definitely names for all of the different phases and all

Elizabeth Jurgensen:

throughout the month, but as just a cultural, public

Elizabeth Jurgensen:

recognition of the full moon. Yeah, it's only the full moon

Elizabeth Jurgensen:

that is, that is only recognized. And that's what

Elizabeth Jurgensen:

sinks into our, our, our psyche. Oh, the full moon is the thing

Elizabeth Jurgensen:

to be celebrated, because that's what is paid attention to.

Tess Masters:

Oh, gosh. And as you're saying this, what's

Tess Masters:

coming up for me is and then we wait. We're waiting. It's almost

Tess Masters:

like we're we are in a holding pattern until the next full

Tess Masters:

moon, exactly, until the next accolade, until the next

Elizabeth Jurgensen:

Exactly. Yeah, exactly, exactly. Exactly.

Elizabeth Jurgensen:

And we end going back to what you were saying about the Dark

Elizabeth Jurgensen:

of the Moon, we see that as somehow a failure of void and

Elizabeth Jurgensen:

emptiness. We see the loss of the fullness as, again, a

Elizabeth Jurgensen:

failure, as as as a loss. There can be grief around that. Now I

Elizabeth Jurgensen:

also want to point out the we were talking a little moment

Elizabeth Jurgensen:

ago, you mentioned about that maybe the fullness of the moon

Elizabeth Jurgensen:

is pain, like there's something really painful that you're

Elizabeth Jurgensen:

moving to and you're just in the thick of it. Now there's two

Elizabeth Jurgensen:

ways to look at that. You could look at that as this is the Dark

Elizabeth Jurgensen:

of the Moon, but you could also definitely look at it is, this

Elizabeth Jurgensen:

is the full This is the full moon. Because the pain may be

Elizabeth Jurgensen:

something coming to fruition that maybe you've ignored or has

Elizabeth Jurgensen:

not been dealt with, or that you've been feeding in a really

Elizabeth Jurgensen:

unhealthy way, and now it's showing up in its fullness. And

Elizabeth Jurgensen:

so we also have to be willing to take a look that brightness

Elizabeth Jurgensen:

shining down on us can be the signal of, oh, this, this is

Elizabeth Jurgensen:

what I've created. Is this really what I wanted? So I think

Elizabeth Jurgensen:

that's important. And there's another piece to the full moon,

Elizabeth Jurgensen:

and I have a personal story about this too. While it's

Elizabeth Jurgensen:

wonderful to be in the full moon and feel like, Oh, I've achieved

Elizabeth Jurgensen:

and everybody's loving me, and I'm, I'm the greatest ever.

Elizabeth Jurgensen:

What's the what's that saying that James Cameron said, you

Elizabeth Jurgensen:

know, I'm on top of the world, or I'm the best in the world,

Elizabeth Jurgensen:

something like the world, the king of the world, right, right?

Elizabeth Jurgensen:

I'm the queen of the world. What can also come up during that

Elizabeth Jurgensen:

phase is imposter syndrome, oh God, somehow we don't deserve to

Elizabeth Jurgensen:

be here. So I really want to speak to that. And this, I have

Elizabeth Jurgensen:

a very vivid memory. This was back when I was in my 30s. I had

Elizabeth Jurgensen:

a I had a big, fancy job in finance, and it was a great job,

Elizabeth Jurgensen:

and I was really good at it, and I really loved it. And one year,

Elizabeth Jurgensen:

I got this giant Award for Performance, and it was the

Elizabeth Jurgensen:

first year that my division for the company I worked for had

Elizabeth Jurgensen:

decided to give this particular award, and I found out later

Elizabeth Jurgensen:

that it was my performance that made them want to create this

Elizabeth Jurgensen:

award. So they based the parameters of how you get the

Elizabeth Jurgensen:

award on my performance for subsequent years, so I was and,

Elizabeth Jurgensen:

but thank God. I didn't know that quite at the time, but I

Elizabeth Jurgensen:

got the award because it was presented at a year end

Elizabeth Jurgensen:

conference where they showed the company numbers. And, you know,

Elizabeth Jurgensen:

yeah, yeah, yeah. And yay, how great we are. And I get the

Elizabeth Jurgensen:

award. And I was so surprised, but also really proud, because I

Elizabeth Jurgensen:

had worked really, really hard that year. I just put my head

Elizabeth Jurgensen:

down and worked really hard. And so it felt so good to get the

Elizabeth Jurgensen:

recognition. But I remember the next morning, I woke up and I

Elizabeth Jurgensen:

said to myself, Oh, my God, they're going to expect. Me to

Elizabeth Jurgensen:

do this every year from now on.

Elizabeth Jurgensen:

So that was the the flip side of being in that fullness and

Elizabeth Jurgensen:

getting all that recognition and deservedly kind of basking in it

Elizabeth Jurgensen:

for a moment. But this inner critic came in that said, now

Elizabeth Jurgensen:

you have to repeat it every single year. And of course,

Elizabeth Jurgensen:

that's impossible,

Tess Masters:

yeah. And another part of that is what's next,

Tess Masters:

exactly. So I got to the top of the mountain. Now, what? Right?

Tess Masters:

Oh, where do I go? Now, there can be a lot of anxiety right in

Tess Masters:

that, right?

Elizabeth Jurgensen:

Yes, and I, and I know that was also

Elizabeth Jurgensen:

something for me, because, as you know, I've had, you know,

Elizabeth Jurgensen:

several careers about a decade each, and as each one was

Elizabeth Jurgensen:

winding down, and they usually wound down, either not through

Elizabeth Jurgensen:

my choice, because I lost the job or circumstances, or just

Elizabeth Jurgensen:

life changed, and it just wasn't a fit anymore. But yes, that

Elizabeth Jurgensen:

anxiety of what's next, what's next, what's next, and then

Elizabeth Jurgensen:

going back to the Dark of the Moon, I just did not recognize

Elizabeth Jurgensen:

that I was waning and heading into the dark, but that that was

Elizabeth Jurgensen:

actually a very fruitful process, because when we're kind

Elizabeth Jurgensen:

of coming down off of that fullness, just like the coming

Elizabeth Jurgensen:

into The fullness, the waxing gives us a chance to go slowly

Elizabeth Jurgensen:

and to kind of reassess and maybe recalibrate as we go. The

Elizabeth Jurgensen:

Waning Phases give us a chance to assess what we've just done,

Elizabeth Jurgensen:

or what we've just been through, like, for instance, if the

Elizabeth Jurgensen:

fruit, like we were talking about, maybe the fullness is a

Elizabeth Jurgensen:

is a really painful something that, you know, an aha, or a

Elizabeth Jurgensen:

very painful situation or very painful episode, something like

Elizabeth Jurgensen:

that, as it begins to soften and wind down, we now have a chance

Elizabeth Jurgensen:

because of the slowness, the slowness and steadiness, The

Elizabeth Jurgensen:

discipline there is to learn to let go. Learn to sit with the

Elizabeth Jurgensen:

feelings of letting go. Because often, why we want to hang on to

Elizabeth Jurgensen:

the fullness is we fear how it's going to feel when it's not full

Elizabeth Jurgensen:

anymore. Yeah, it's it's not even sometimes it's not even so

Elizabeth Jurgensen:

much the loss of the thing that we achieved the brightness, the

Elizabeth Jurgensen:

fullness, it's what we're really afraid of, is that we're going

Elizabeth Jurgensen:

to feel bad once it's gone. And we don't want to feel those

Elizabeth Jurgensen:

feelings, so we want to stay in the fullness. Yes, a way to

Elizabeth Jurgensen:

avoid getting to those feelings.

Tess Masters:

And as you were speaking, you were saying, you

Tess Masters:

know, the gradual winding down, I was sitting, going, No, it

Tess Masters:

feels like a crash, but it's

Unknown:

me. So

Tess Masters:

you talk to me about that, because that's what

Tess Masters:

was coming up in my body as I was listening to you, is that,

Tess Masters:

you know, when you're you've achieved, you've achieved,

Tess Masters:

you've had the big night, or you've had the big wedding day,

Tess Masters:

or you've had the big whatever it is, and then the adrenaline

Tess Masters:

sort of leaves your body, and you go, Whoa, and you feel a bit

Tess Masters:

woozy and light headed and cool, boom. It feels like you're in

Tess Masters:

the abyss of the nothingness of what do I do now? Oh god, it's

Tess Masters:

over. I've lost it, or whatever it is it feels, or it can feel

Tess Masters:

like a crash. So help me find my way into the perspective that

Tess Masters:

it's a winding down, and it is a gentleness, just like the

Tess Masters:

ramping up from the dark to the full, that the ramping down from

Tess Masters:

the full, and then cycling into the invitation to rest and

Tess Masters:

regenerate and regroup and catch up with the storms in the quiet

Tess Masters:

that to remind how can we remind ourselves that we are in a

Tess Masters:

gradual transition?

Elizabeth Jurgensen:

Yeah, well, what really helps me is first to

Elizabeth Jurgensen:

acknowledge, on a somatic level, there can, there can be an

Elizabeth Jurgensen:

actual crash because of the like, you just said, the

Elizabeth Jurgensen:

adrenaline, the cortisol, of what, like, let's say it was a

Elizabeth Jurgensen:

big event, like, like, your wedding or, or, right? The

Elizabeth Jurgensen:

exactly, the oxytocin, like, like, let's say it's the

Elizabeth Jurgensen:

fruition of an amazing relationship, or you just went

Elizabeth Jurgensen:

on an amazing vacation with your your loved one, and it's just,

Elizabeth Jurgensen:

oh my gosh, it's just the most amazing, loving, yummy,

Elizabeth Jurgensen:

delicious time. And now you're home, and it does in it, and

Elizabeth Jurgensen:

yeah, there's an actual physiological where the where

Elizabeth Jurgensen:

all of the the hormones and all of the chemicals in your body

Elizabeth Jurgensen:

are readjusting, and

Tess Masters:

it literally falls. Like, the DT,

Elizabeth Jurgensen:

like, exactly like, and so, yeah, you

Elizabeth Jurgensen:

kind of have to just see. Here's the other thing. When we're in

Elizabeth Jurgensen:

the fullness, we also want to, because we don't want to feel

Elizabeth Jurgensen:

the crash. We pretend like it's not gonna

Tess Masters:

happen. Such an important point. Styling of

Tess Masters:

those particular feelings and emotions. I say we don't

Elizabeth Jurgensen:

prepare. We don't prepare. We don't create a

Elizabeth Jurgensen:

soft landing for ourselves after the fullness

Tess Masters:

that's important. Yeah. So how do we do that?

Elizabeth Jurgensen:

Well, again, one of the ways is what I

Elizabeth Jurgensen:

just described, when you start to feel that, that let down is

Elizabeth Jurgensen:

just acknowledging what are you feeling in your body, what are

Elizabeth Jurgensen:

the sensations, and just giving them room to just be. It's okay.

Elizabeth Jurgensen:

It's normal and natural, especially as the as the all the

Elizabeth Jurgensen:

hormones and all the chemicals are readjusting themselves and

Elizabeth Jurgensen:

also allowing the feelings to be there, to acknowledge, I'm a

Elizabeth Jurgensen:

little sad that it's over now. I'm really sad that was so

Elizabeth Jurgensen:

great. I'm even acknowledging I'm not really looking forward

Elizabeth Jurgensen:

to the next phase.

Tess Masters:

Oh yeah, because you can go into judgment, but

Tess Masters:

because you're having feelings that are uncomfortable or you

Tess Masters:

perceive as negative, you're not allowed to have them, but

Tess Masters:

somehow you're ungrateful, the gratitude and those other

Tess Masters:

feelings can exist together, right? And especially power in

Tess Masters:

harnessing them together

Elizabeth Jurgensen:

exactly. And especially if the fullness

Elizabeth Jurgensen:

was around, like achieving something really important, or,

Elizabeth Jurgensen:

like I said, this beautiful vacation with a loved one, then

Elizabeth Jurgensen:

to feel sad or perhaps even angry that it's over, that it

Elizabeth Jurgensen:

can't continue. We don't if we don't allow those feelings,

Elizabeth Jurgensen:

they're going to get stuck in our bodies somehow, and they're

Elizabeth Jurgensen:

going to make the transition to equanimity a lot harder, and

Elizabeth Jurgensen:

they're going to make the let down feel even worse. But you

Elizabeth Jurgensen:

notice, what our grandmother Moon does is she does it slowly.

Elizabeth Jurgensen:

She wanes very slowly, a little bit at a time and again. I don't

Elizabeth Jurgensen:

go out at night and look at the moon and go, Oh, she's waning.

Elizabeth Jurgensen:

She's got a little sliver missing. I don't think of her as

Elizabeth Jurgensen:

having something missing, because she's getting smaller.

Tess Masters:

I And again, that's our perception, because

Tess Masters:

of the way that she's orbiting the Earth,

Tess Masters:

just as full as she always was, or she's exactly

Elizabeth Jurgensen:

the same size, exactly the same size.

Tess Masters:

I remember you and I barely over laughing when you

Tess Masters:

were sharing that with me.

Tess Masters:

And it's, as you were saying early on in our conversation,

Tess Masters:

it's so important to remind yourself that it's exactly the

Tess Masters:

same size, and it's all the things. It's just the orbit,

Elizabeth Jurgensen:

right? And you're just, it's, you're just

Elizabeth Jurgensen:

seeing, you're just seeing a different slice of her. That's

Elizabeth Jurgensen:

all and that's just kind of even in in our lives, as we move

Elizabeth Jurgensen:

through our lives, anything that we're doing or witnessing at the

Elizabeth Jurgensen:

moment, that's all we're seeing at that moment. It's, it may not

Elizabeth Jurgensen:

be the whole thing. It's just that little portion that we're

Elizabeth Jurgensen:

that we're seeing, and even the full moon, it looks full to us,

Elizabeth Jurgensen:

but we're only seeing one side of her. She's a whole round

Elizabeth Jurgensen:

sphere that we're not we're not seeing the other side that is

Tess Masters:

so important. To acknowledge Yes.

Elizabeth Jurgensen:

So, you know, so I've really, I'm so,

Elizabeth Jurgensen:

I'm so grateful for this test, you know, over the last few

Elizabeth Jurgensen:

years, just having to sit with this idea of, what does the moon

Elizabeth Jurgensen:

mean to me? What is my relationship to time now that

Elizabeth Jurgensen:

I'm not able to the degree that I was before, to be out there,

Elizabeth Jurgensen:

you know, hustling, I just sometimes have to laugh at

Elizabeth Jurgensen:

myself to be because it's like, Elizabeth, you're not seeing the

Elizabeth Jurgensen:

whole picture. You're only just, you know, just be, take comfort

Elizabeth Jurgensen:

in that in some ways, you can only see what you can see, and

Elizabeth Jurgensen:

there's actually a lot that you can't see that's just waiting

Elizabeth Jurgensen:

for you. And that's where the trust comes in. So going into

Elizabeth Jurgensen:

the waning phase, she's just very gently, just peeling off

Elizabeth Jurgensen:

layers and layers. And if we look at like, let's say we

Elizabeth Jurgensen:

achieved something. A big or there was a there was a big

Elizabeth Jurgensen:

difficulty that we just that we got through, that was the

Elizabeth Jurgensen:

fullness we got through a difficulty and but there's still

Elizabeth Jurgensen:

a resonance there. It's not like it's completely over, like when

Elizabeth Jurgensen:

you go on a great vacation, for example, you still talk about

Elizabeth Jurgensen:

it. You might talk about it for weeks afterwards. That's part of

Elizabeth Jurgensen:

the waning. What you're doing in that phase is you're allowing

Elizabeth Jurgensen:

yourself to integrate the experience, allowing it to

Elizabeth Jurgensen:

really become part of you, to sink into your tissues, to sink

Elizabeth Jurgensen:

into your psyche, and particularly if it was something

Elizabeth Jurgensen:

difficult, this is the period of time that you you can say, what

Elizabeth Jurgensen:

did I learn from this? What am I taking away from this? How did

Elizabeth Jurgensen:

this change me? How am I different now? How does this

Elizabeth Jurgensen:

help me to walk forward in a different way than I used to?

Elizabeth Jurgensen:

And you can't do that if you just jump from thing to thing to

Elizabeth Jurgensen:

thing, if you're just always full and then jumping to the

Elizabeth Jurgensen:

next full moon and then the next full moon, you never learn the

Elizabeth Jurgensen:

lessons. You never really integrate what you've learned.

Elizabeth Jurgensen:

That's That's why we make the same mistakes over and over a

Elizabeth Jurgensen:

lot of the time, and

Tess Masters:

that's why people have heart attacks and strokes.

Tess Masters:

Exactly. I mean, your body cuts you down

Elizabeth Jurgensen:

if right, it's right, right? That's why

Elizabeth Jurgensen:

people burn out emotionally and mentally, is because they're

Elizabeth Jurgensen:

just jumping from Full Moon to full moon to full moon, and

Elizabeth Jurgensen:

they're never getting themselves a chance, giving themselves a

Elizabeth Jurgensen:

chance to gradually wind down. Like, even if you think about

Elizabeth Jurgensen:

like, let's say you're crying about something, like you're

Elizabeth Jurgensen:

just sobbing over something you don't just all of a sudden say,

Elizabeth Jurgensen:

Okay, I'm done. You know, it's a gradual, it's a very gradual

Elizabeth Jurgensen:

crying less and less and less and softer and softer and softer

Elizabeth Jurgensen:

until finally, you know your body goes okay, I'm done, I'm

Elizabeth Jurgensen:

done, I'm done. Or even if you've done something really

Elizabeth Jurgensen:

hard, physically, even if you collapse down on the ground,

Elizabeth Jurgensen:

because, let's say you've done a big, hard run, and you've run

Elizabeth Jurgensen:

out of breath, and now you have to stop and you just collapse on

Elizabeth Jurgensen:

the ground. You aren't just immediately back to normal. You

Elizabeth Jurgensen:

lay there and you breathe hard for a few for for quite a while,

Elizabeth Jurgensen:

and it takes a while for your breath to come back to its

Elizabeth Jurgensen:

normal rhythm, and it takes a while for your body to relax

Elizabeth Jurgensen:

into its normal state. It isn't instant, and that's what the

Elizabeth Jurgensen:

waning phase is for. It's to give you a time to process and

Elizabeth Jurgensen:

to come back to the reset period gradually, because if we did it

Elizabeth Jurgensen:

too fast, we would blow out our nervous systems first of all,

Elizabeth Jurgensen:

and it gives us a chance to savor if it was something

Elizabeth Jurgensen:

wonderful that that happened, if that fullness of the Moon was

Elizabeth Jurgensen:

something wonderful, it gives us a time to continue to remember

Elizabeth Jurgensen:

and integrate and savor it and just the deliciousness of the

Elizabeth Jurgensen:

thing that happened, where, if we're looking for the next

Elizabeth Jurgensen:

thing, we're not savoring. And that was a mistake I made for

Elizabeth Jurgensen:

years, because I was just, what's the next thing? What's

Elizabeth Jurgensen:

the next thing? I didn't even give myself credit for what I

Tess Masters:

had just achieved. Yeah,

Elizabeth Jurgensen:

I didn't even acknowledge what I had just

Elizabeth Jurgensen:

been through. If it was something difficult. I was just

Elizabeth Jurgensen:

like, nope. On to the next thing.

Tess Masters:

Yeah, this is so key that the celebration doesn't

Tess Masters:

just occur in the moment of the fall, right, but that

Tess Masters:

integration, that reflection, that remembering, that savoring

Tess Masters:

is still part of Yes, lingering experience that exactly use and

Tess Masters:

informs the next

Elizabeth Jurgensen:

experience exactly, exactly, and

Elizabeth Jurgensen:

particularly it gives us a chance to I love that word

Elizabeth Jurgensen:

lingering. What lingers with me is maybe something that I do

Elizabeth Jurgensen:

want to take forward into whatever the next thing is that

Elizabeth Jurgensen:

I pursue.

Tess Masters:

Yeah. Oh,

Unknown:

notice what lingers if we go

Tess Masters:

slow, yes, yes,

Elizabeth Jurgensen:

we can't notice what's lingering if we're

Elizabeth Jurgensen:

going too fast,

Tess Masters:

yeah, I want to ask you about your perspective,

Tess Masters:

about holding the wanting more, because the desire for more is

Tess Masters:

there and it will be there, and you've really helped me see and

Tess Masters:

hold my wanting more, not as a monster. Or a demon or something

Tess Masters:

to exile, but something to befriend, and that I get to

Tess Masters:

choose how I hold the wanting of the more, because I was viewing

Tess Masters:

it as a defect, as as as a form of greed that I always wanted

Tess Masters:

more and then I could never be satiated, you know, by that

Tess Masters:

achievement or that achievement. So can you share that?

Elizabeth Jurgensen:

Yeah, I'd be happy to the wanting more,

Elizabeth Jurgensen:

the word it brings up for me the most is yearning, which has a,

Elizabeth Jurgensen:

how do I want to put it? It has a really sweet it has a love in

Elizabeth Jurgensen:

it, like when you think about when you yearn for your lover,

Elizabeth Jurgensen:

there's there's such a feeling of, of, it's, it's, it's really

Elizabeth Jurgensen:

hard to put into words, but it's, it's a, it's a that desire

Elizabeth Jurgensen:

is what's drawing you forward. It's an energy drawing you

Elizabeth Jurgensen:

forward, or drawing you outward. I hesitate even to use the word

Elizabeth Jurgensen:

forward, because we have such a concept of time as always linear

Elizabeth Jurgensen:

and always existing on the horizontal plane, when actually

Elizabeth Jurgensen:

time exists on a vertical plane as well. We can go up and down

Elizabeth Jurgensen:

within this particular moment. And so that yearning, that

Elizabeth Jurgensen:

desire is what carries us. It's the magic carpet that we're

Elizabeth Jurgensen:

flying on. But it doesn't mean that we can't enjoy the ride

Elizabeth Jurgensen:

while we're on it.

Tess Masters:

Yeah, I do love that word yearning. Thank you

Tess Masters:

for that, because, yeah, does have a yummy quality about it,

Elizabeth Jurgensen:

yeah, yeah. And if we didn't have that

Elizabeth Jurgensen:

desire, if we didn't have that yearning, we would stay stuck a

Elizabeth Jurgensen:

lot of the time. And that was something I really struggled

Elizabeth Jurgensen:

with. You know, going back to the Dark Side of the Moon, I

Elizabeth Jurgensen:

didn't see that. Actually, I did have yearning and desire. I

Elizabeth Jurgensen:

thought I was just nothing, that I was just like in a numb phase

Elizabeth Jurgensen:

or something like that, when really there was yearning and

Elizabeth Jurgensen:

desire bubbling underneath the surface. I just wasn't in touch

Elizabeth Jurgensen:

with it, because I didn't value that time period, to let the

Elizabeth Jurgensen:

discerning, the desire in the yearning bubble, kind of like

Elizabeth Jurgensen:

lava deep down in the mountain. You know it's you've got to let

Elizabeth Jurgensen:

that bubble and cook and create itself before it comes up,

Elizabeth Jurgensen:

before it comes up and out. And I just didn't recognize that.

Elizabeth Jurgensen:

That's what was going on with me in the dark phase, and that I

Elizabeth Jurgensen:

needed to rest and allow that to happen. Because that takes, that

Elizabeth Jurgensen:

actually takes a lot of a lot of energy. So I think what I had

Elizabeth Jurgensen:

said to you was, could you allow what you're naming as greed?

Elizabeth Jurgensen:

Could you name it as a desire and yearning and let that carry

Elizabeth Jurgensen:

you without expectation.

Tess Masters:

Yes, that is what you said. And it was, it was, it

Tess Masters:

was so helpful, and it really shifted things for me. So thank

Tess Masters:

you, and thank you for sharing that with with everyone. Oh

Tess Masters:

gosh, Elizabeth, I could talk to you about this all day. It's so

Tess Masters:

nourishing. It's such a beautiful way to look at, at at

Tess Masters:

life.

Elizabeth Jurgensen:

It's been a it's been a gift for me,

Elizabeth Jurgensen:

especially as I shift into my elder years, because there is a

Elizabeth Jurgensen:

there is a sense of on one level of waning. There's still a lot

Elizabeth Jurgensen:

of full moons to come. And as I was saying in the beginning, we

Elizabeth Jurgensen:

can trust every month there's going to be a full moon. So I

Elizabeth Jurgensen:

completely trust there's going to be many full moons that will

Elizabeth Jurgensen:

show up in my life, but just within my lifespan, if you look

Elizabeth Jurgensen:

at it, I'm I'm heading more into the into the waning phase, and

Elizabeth Jurgensen:

what I'm so grateful for Tess is to such a degree I've been able

Elizabeth Jurgensen:

to once I understood what internalized capitalism was, to

Elizabeth Jurgensen:

be able to recognize that that was a false thing that was

Elizabeth Jurgensen:

imposed on me, that that way of being was taught to me, imposed

Elizabeth Jurgensen:

on me, expected of me. Me, and to be able to say that's not

Elizabeth Jurgensen:

really me, that's not really where I want to go, and

Elizabeth Jurgensen:

particularly because I'm a person that is has a has a gift

Elizabeth Jurgensen:

of recognizing what is the valuable thing that I would like

Elizabeth Jurgensen:

to pursue in front of me with another person on my own,

Elizabeth Jurgensen:

whatever that looks like, giving myself that space and time to

Elizabeth Jurgensen:

practice that discernment instead of just grabbing

Elizabeth Jurgensen:

something for the sake of doing something. I'm so grateful to be

Elizabeth Jurgensen:

in that place, because, as you know, the studying that I've

Elizabeth Jurgensen:

been doing the last several years around somatic

Elizabeth Jurgensen:

facilitation and embodiment work and all of that, I feel no need

Elizabeth Jurgensen:

to hang out a shingle and say I'm a somatic practitioner. Come

Elizabeth Jurgensen:

and pay me money, you know, to work with me, to me, if that

Elizabeth Jurgensen:

shows up organically. Lovely, lovely, lovely, but I'm not

Elizabeth Jurgensen:

going to push for it. I'm not going to push because that's not

Elizabeth Jurgensen:

honoring that slow and steady waxing fullness waning dark

Elizabeth Jurgensen:

time. It's it's pushing and forcing. And right now, the way

Elizabeth Jurgensen:

I feel is it is a gift just to be a person who takes what they

Elizabeth Jurgensen:

know and shares it with those they love.

Tess Masters:

Oh, gosh, and hopefully we all can feel that

Tess Masters:

way, because one

Elizabeth Jurgensen:

of my greatest joys is just sitting

Elizabeth Jurgensen:

and talking to you and sharing our sharing our insights,

Elizabeth Jurgensen:

likewise,

Tess Masters:

the laying at

Tess Masters:

each opposing ends of not opposing the each end of the day

Tess Masters:

bed or curling up on the couch or sitting opposite in the

Tess Masters:

living room, or all the spaces sitting outside near the

Tess Masters:

fountain, and all the places that we've had these beautiful,

Tess Masters:

nourishing conversations, and that that is not only enough,

Tess Masters:

but it's everything. It's so beautiful, and, and, and it has

Tess Masters:

been such a source of nourishment in my life, and will

Tess Masters:

continue to be so. Thank you so much for how you show up in the

Tess Masters:

world and how you're choosing to show up in the world. I always

Tess Masters:

close every episode with the same question. I'll ask it

Tess Masters:

within the context of this conversation, when we don't feel

Tess Masters:

like we have what it takes to make it happen, or that the

Tess Masters:

moment isn't enough. What do you say to yourself?

Elizabeth Jurgensen:

Well, the first thing I say to myself, and

Elizabeth Jurgensen:

that I would say to anyone else, including you, is drop into your

Elizabeth Jurgensen:

body and notice what are the sensations in your body at this

Elizabeth Jurgensen:

moment, as you contemplate that question, or as you contemplate

Elizabeth Jurgensen:

that dream that you have, and just notice, What is your body

Elizabeth Jurgensen:

telling you through its sensations you Yeah. And another

Elizabeth Jurgensen:

thing I would say is just ask a lot of questions of yourself,

Elizabeth Jurgensen:

starting with if I have this dream and I'm feeling like I

Elizabeth Jurgensen:

don't have what it takes, maybe asking, Is this really my dream,

Elizabeth Jurgensen:

or was this a dream that was given to me by somebody else? Or

Elizabeth Jurgensen:

is this a dream that I think I'm supposed to have? Or what other

Elizabeth Jurgensen:

versions of this dream might be a possibility, rather than just

Elizabeth Jurgensen:

the one that I'm focusing on, there can be a lot of ease in

Elizabeth Jurgensen:

recognizing that the dream may not even be worse in the first

Elizabeth Jurgensen:

place, and in that case, you can just drop it, and then you don't

Elizabeth Jurgensen:

have to feel bad, or that it's partly you, but partly something

Elizabeth Jurgensen:

that was imposed on you, or that maybe you Have a very like we

Elizabeth Jurgensen:

talked about that there. We often define what is fullness.

Elizabeth Jurgensen:

We have a narrow range of what do we define that as? So the I

Elizabeth Jurgensen:

think the questioning is a really important part of the

Elizabeth Jurgensen:

process, and it's always been my experience that when I allow,

Elizabeth Jurgensen:

when I allow myself, the space to ask those questions that

Elizabeth Jurgensen:

whatever needs to be learned, whatever the answer is, it just

Elizabeth Jurgensen:

comes on its own. It's when we clamp down on this is what it

Elizabeth Jurgensen:

must be, and I must make it happen, and then get caught up

Elizabeth Jurgensen:

in the anxiety of. But I don't have what it takes. And you know

Elizabeth Jurgensen:

all of that, that's when that's when we limit ourselves. It's in

Elizabeth Jurgensen:

the questioning that we actually see we have to ask the questions

Elizabeth Jurgensen:

or we're not going to get an answer.

Tess Masters:

Yeah, I love you. I look forward to it.

Elizabeth Jurgensen:

I love you too. Tess, thank you so much for

Elizabeth Jurgensen:

inviting me. I could I too? Could just talk to you for hours

Elizabeth Jurgensen:

to do this again?

Tess Masters:

And we will do that. We certainly

Elizabeth Jurgensen:

will. It's truly been my pleasure. Yeah.